Down the Way by Angus & Julia Stone (CD, Mar-2010, Nettwerk)(US version)

Album Features
UPC:	067003088428
Artist:	Angus & Julia Stone
Format:	CD
Release Year:	2010
Record Label:	Nettwerk
Genre:	Rock & Pop

Track Listing
1. Hold On
2. Black Crow
3. For You
4. Big Jet Plane
5. Santa Monica Dream
6. Yellow Brick Road
7. And the Boys
8. On the Road
9. Walk It Off
10. Hush
11. Draw Your Swords
12. I'm Not Yours
13. Devil's Tears, The

Details
Playing Time:	66 min.
Producer:	Brad Albetta, Angus Stone, Julia Stone
Distributor:	ADA
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Personnel: Julia Stone (vocals, guitar, piano, Wurlitzer organ, Mellotron); Angus Stone (vocals, acoustic guitar, electric guitar, banjo, harmonica).Audio Mixer: Kieran Kelly.Recording information: Monkey Boy Studios, NY; Sawmills Cornwall; The Buddy Project.Only three years passed between the Stones' debut and this follow-up record, but the siblings seem to have aged exponentially in the interim. While 2007's A Book Like This found the two setting their own adolescence to a soundtrack of acoustic guitars and sparse percussion, Down the Way is a decidedly adult album, filled with textured arrangements and a wider array of influences. Angus and Julia handle their own production this time around, and the resulting songs jump from panoramic chamber pop -- often with a rootsy, Americana edge -- to bedroom folk songs, with both members trading off vocals and instrumental duties. Julia still sings in a soft, fairy tale voice, but her own songs are bolder than they once were, with tracks like "Hold On" taking much of their strength from the contrast between her gauzy, childlike croon and the nocturnal-sounding instruments that surround it. Even so, brother Angus gets the "most improved" award, having moved past the solo folk songs he favored on A Book Like This (although some of those show up here, too) in favor of lush, collaborative material. On "Draw Your Swords," one of the album's three tunes to stretch past six minutes, he rips into the final refrain with gusto, shouting the lyrics in a cracked baritone before adopting a Jeff Buckley-ish falsetto. ~ Andrew Leahey