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Details about  BILLY SWAN 'Rock n' Roll Moon' - Rare 12" Vinyl LP Monument Label 1975 Australia

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BILLY SWAN 'Rock n' Roll Moon' - Rare 12" Vinyl LP Monument Label 1975 Australia
BILLY-SWAN-Rock-n-Roll-Moon-Rare-12-Vinyl-LP-Monument-Label-1975-Australia
Item Ended
Item condition:
Very good
Ended:
21 Jul, 2014 12:13:33 AEST
Starting bid:
AU $6.00
0 bids ]
Postage:
AU $8.00 Standard Postage | See details
Item location:
Gold Coast, QLD, Australia

Description

eBay item number:
111405340585
Seller assumes all responsibility for this listing.
Last updated on  17 Jul, 2014 07:31:53 AEST  View all revisions

Item specifics

Condition:
Very good: An item that is used but still in very good condition. No damage to the jewellery case or item ... Read moreabout the condition
Record Label:

Monument PZ 33805

Style:

Soft Rock

Genre:

Rock

Release Year:

1975

Special Attributes:

Rare

Well-known in music circles since the early 1960's as a top songwriter, sideman and producer, Swan's songs have been covered successfully by Elvis Presley, Waylon Jennings, Loretta Lynn, Conway Twitty, and many others; one of the first he wrote, "Lover Please," was a #7 hit for Clyde McPhatter in 1962, and landed a Grammy for Kris Kristofferson and Rita Coolidge in 1975.
As a first-time producer Swan notched the Top Ten in 1969, with Tony Joe White's "Polk Salad Annie." Swan articulates a passionate range of influence from Hank Williams to Buddy Holly to Jerry Lee Lewis.

Album comes with printed Lyrics on inner sleeve

Billy Swan ‎– Rock 'n' Roll Moon
Label: Monument ‎– PZ 33805
Format: Vinyl, LP, Album,
Country: Australia
Released: 1975
Genre: Rock
Style: Rock & Roll, Soft Rock

Track list:
A1 Everything's The Same (Ain't Nothing Changed)
Acoustic Guitar – Dennis Linde, John Christopher*
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Chip Young, Reggie Young
Electric Piano – Bobby Emmons
Organ, Written-By – Billy Swan
Piano – Bobby Wood
Voice – Ginger Holladay, Lea Jane Berinati, Sharon Vaughn 2:34

A2 You're The Pain (In My Heart)
Acoustic Guitar – Dennis Linde, John Christopher*
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Reggie Young
Organ – Bobby Emmons
Organ, Written-By – Billy Swan
Piano – Bobby Wood
Strings, Horns – Bill Justis Orchestra, The
Voice – Ginger Holladay, Lea Jane Berinati, Sharon Vaugh
Written-By – Benny Whitehead 2:37

A3 (You Just) Woman Handled My Mind
Acoustic Guitar – Dennis Linde, John Christopher*
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Chip Young, Reggie Young
Horns – Gayle Whitfield, Tommy Smith (5)
Organ – Bobby Emmons
Piano – Bobby Wood
Steel Guitar – Weldon Myrick
Voice – Jordanaires, The
Written-By – Billy Swan 3:15

A4 Stranger
Acoustic Guitar – Dennis Linde, John Christopher*
Arranged By [Strings] – Bill Justis
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Reggie Young
Marimba, Percussion – Farrell Morris
Organ – Bobby Emmons
Piano – Bobby Wood
Trumpet – Bill Joor, George Tidwell
Voice – Jordanaires, The
Written-By – Kris Kristofferson 3:34

A5 Baby My Heart
Acoustic Guitar – Dennis Linde, John Christopher*
Arranged By [Strings] – Bill Justis
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Reggie Young
Organ – Bobby Emmons
Percussion – Farrell Morris
Piano – Bobby Wood
Voice – Jordanaires, The
Written-By – Benny Whitehead, Billy Swan 3:04

Side2:
B1 Got You On My Mind
Acoustic Guitar – Dennis Linde
Arranged By [Horns] – Bill Justis
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – John Christopher*, Reggie Young
Horns – Don Sheffield, George Tidwell, James Skipper, Norm Ray, Philip Forrest, Roger Bissell, Tim Wipperman
Organ – Billy Swan, Bobby Emmons
Piano – Bobby Wood
Voice, Sounds [Applause] – Younganaires, The
Voice, Sounds [Applause], Featuring – David Kielhofner
Written-By – Howard Biggs, Joe Thomas 3:01

B2 Come By
Acoustic Guitar – Dennis Linde, John Christopher*
Arranged By [Strings] – Bill Justis
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Chip Young, Reggie Young
Electric Piano – Bobby Emmons
Piano – Bobby Wood
Voice – Jordanaires, The
Written-By – Billy Swan 2:44

B3 Ubangi Stomp
Acoustic Guitar – Dennis Linde
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – John Christopher*, Reggie Young
Electric Piano, Piano – Bobby Wood
Organ – Bobby Emmons
Piano – Billy Swan
Written-By – Charles Underwood 2:22

B4 Home Of The Blues
Acoustic Guitar – Dennis Linde, John Christopher*
Arranged By [Strings] – Bill Justis
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Reggie Young
Organ – Billy Swan
Piano – Bobby Emmons
Voice – Jordanaires, The
Written-By – G.D. Tubb*, Johnny Cash, Vic McAlpine* 2:32

B5 Overnite Thing (Usually)
Acoustic Guitar – Dennis Linde, John Christopher*
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – Chip Young, Reggie Young
Electric Piano – Bobby Wood
Organ – Bobby Emmons
Steel Guitar – Weldon Myrick
Voice – Jordanaires, The
Written-By – Billy Swan 3:08

B6 Rock And Roll Moon Blues (Part I)
Acoustic Guitar – Dennis Linde, Harold Bradley
Bass – Mike Leech
Drums – Hayward Bishop
Electric Guitar – John Christopher*, Reggie Young
Electric Piano – Bobby Emmons
Organ, Written-By – Billy Swan
Piano – Bobby Wood
Strings, Horns – Bill Justis Orchestra,
Voice – Holladay Sisters, The, Jordanaires,
Voice [With The Holladay Sisters] – Lea Jane Berinati 2:46

Companies:
Phonographic Copyright (p) – Monument Record Corp.
Phonographic Copyright (p) – CBS Inc.
Copyright (c) – CBS Inc.
Distributed By – CBS Records
Manufactured By – CBS Records
Recorded At – Youngun Sound Studio

Credits::
Design [Album] – Bill Barnes (2)
Photography By – Ken Kim
Producer – Billy Swan, Chip Young

Notes:
Recorded at Youngun Sound Studio, Murfreesboro, Tennessee.
Inner sleeve with lyrics
Barcode and Other Identifiers
Album has printed lyrics inner sleeve

*Collectors Availability Rating: 9
(Legend 1=Common 10= Rare)
*Cover: Excellent

VINYL ALBUM GRADING/CONDITION- This album 9

Guidelines for assessing the grading / condition of used records (based on Goldmine Grading for Records)
MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.
NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.
EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.
VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.
GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.On a scale from 1 (Poor) to 10 (Perfect) the above gradings are equivalent to:
MINT - 10, Near Mint - 8, Excellent - 7, Very Good Plus - 6 , Very Good - 5 , Good - 2

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