An item that is used but still in very good condition. No damage to the jewellery case or item cover, no scuffs, scratches, cracks, or holes. The cover art and liner notes are included. The VHS or DVD box is included. The video game instructions and box are included. The teeth of disk holder are undamaged. Minimal wear on the exterior of item. No skipping on CD/DVD. No fuzzy/snowy frames on VHS tape. See the seller’s listing for full details and description of any imperfections.
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ITEM: VINYL 12" LP 33 1/3 RPM
ARTIST: TITLE: Brothers in Arms COUNTRY PRINTED: OZ CAT No: VERTIGO, 824499-1 COVER: (Grade at strong EXCELLENT+) INSERT: Lyric sheet (Grade at NEAR MINT+) LABELS: (Grade at NEAR MINT+) VINYL: (Grade at MINT-) TRACKS: 1. "So Far Away" 2. "Money for Nothing" (Knopfler, Sting) 3. "Walk of Life" 4. "Your Latest Trick" 5. "Why Worry" 6. "Ride Across the River" 7. "The Man's Too Strong" 8. "One World" 9. "Brothers in Arms" COMMENT: Review: by Stephen Thomas Erlewine Brothers in Arms brought the atmospheric, jazz-rock inclinations of Love Over Gold into a pop setting, resulting in a surprise international best-seller. Of course, the success of Brothers in Arms was helped considerably by the clever computer-animated video for "Money for Nothing," a sardonic attack on MTV. But what kept the record selling was Mark Knopfler's increased sense of pop songcraft — "Money for Nothing" had an indelible guitar riff, "Walk of Life" is a catchy up-tempo boogie variation on "Sultans of Swing," and the melodies of the bluesy "So Far Away" and the down-tempo, Everly Brothers-style "Why Worry" were wistful and lovely. Dire Straits had never been so concise or pop-oriented, and it wore well on them. … Brothers in Arms remains one of their most focused and accomplished albums, and in its succinct pop sense, it's distinctive within their catalog.
Biography: by Stephen Thomas Erlewine Dire Straits emerged during the post-punk era of the late '70s, and while their sound was minimalistic and stripped down, they owed little to punk. If anything, the band was a direct outgrowth of the roots revivalism of pub rock, but where pub rock celebrated good times, Dire Straits were melancholy. Led by guitarist/vocalist Mark Knopfler, the group built their sound upon the laid-back blues-rock of J.J. Cale, but they also had jazz and country inflections, occasionally dipping into the epic song structures of progressive rock. The band's music was offset by Knopfler's lyrics, which approximated the winding, stream-of-conscious narratives of Bob Dylan. As their career progressed, Dire Straits became more refined and their new maturity happened to coincide with the rise of MTV and the compact disc. These two musical revolutions from the mid-'80s helped make Dire Straits' sixth album, Brothers in Arms, an international blockbuster. The band -- along with Eric Clapton, Phil Collins, and Steve Winwood -- become one of the leaders of a group of self-consciously mature veteran rock & rollers in the late '80s that designed their music to appeal to aging baby boomers. Despite the band's international success, they couldn't sustain their stardom, waiting a full six years to deliver a follow-up to Brothers in Arms, by which time their audience had shrunk significantly.
Knopfler (born August 12, 1949) was always the main force behind Dire Straits. The son of an architect, Knopfler studied English literature at Leeds University and worked briefly as a rock critic for the Yorkshire Evening Post while at college. He began teaching English after his graduation, leading a pub rock band called Brewer's Droop at night. By 1977, Mark was playing with his brother David (guitar) and his roommate John Illsley (bass). During the summer of 1977, the trio cut a demo with drummer Pick Withers. A London DJ named Charlie Gillett heard the demo and began playing "Sultans of Swing" on his BBC show Honky Tonkin'. Following a tour opening for Talking Heads, the band began recording their debut for Vertigo Records with producer Muff Winwood in early 1978. By the summer, they had signed with Warner in America, releasing their eponymous debut in the fall. Thanks to the Top Ten hit "Sultans of Swing," Dire Straits was a major success in both Britain and America, with the single and album climbing into the Top Ten on both sides of the Atlantic.
Dire Straits established Dire Straits as a major force on album-oriented radio in America, and their second album, Communique (1979), consolidated their audience, selling three million copies worldwide. As the group was recording its third album, Knopfler left the band to pursue a solo career; he was replaced by former Darling member Hal Lindes. Like its predecessor, Making Movies was a sizable hit in America and Britain, even though the band was criticized for musically treading water. Nevertheless, the record went gold on the strength of the radio and MTV hits "Romeo and Juliet" and "Skateaway." Dire Straits followed the album two years later with Love Over Gold, an album filled with long, experimental passages, plus the single "Private Investigations," which became a number two hit in the U.K. The album went gold in America and spent four weeks at number one in Britain. Shortly after the release of Love Over Gold, former Rockpile drummer Terry Williams replaced Withers.
VINYL GRADING SYSTEM
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear. NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear. EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing. VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine. GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour. FAIR: RECORD: Still just playable & exhibits considerable surface noise. COVER: Major tears, wearing, splits & stains. POOR: RECORD: Will not play properly due to scratches etc. COVER: Very badly damaged. +(PLUS)/-(MINUS): Slightly up or down in condition as appears in the comments above. NOTE: Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.
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