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MINT Condition INSIDE and OUT!!!

05 Aug, 2014 12:16:29 AEST
US $36.99
Approximately AU $42.05(including postage)
US $23.00 (approx. AU $26.14) USPS Priority Mail International Flat Rate Envelope | See details
Item location:
Syosset, New York, United States


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Item specifics

Seller Notes: MINT Condition INSIDE and OUT!!!

High School Yearbook

Country of Manufacture:

United States



Visit Store:   brionski

WOW.... What a GREAT and UNIQUE Celebrity Collectable.
Brionski does NOT waste your time with reserve prices.
Hello Fellow Yearbook Lovers. You know who you are. Offered is a Terrific Reproduction HERALD Yearbook from HUMES HIGH SCHOOL. Located in MEMPHIS, TENNESSEE this Book is from the Class of 1953. What makes the 1953 Year Book SIGNIFICANT it's the SENIOR YEAR for Future KING of ROCK and ROLL ELVIS AARON PRESLEY. Did somebody say "HOUND DOG"? I just Did!  WOW....... What a GREAT Yearbook and UNIQUE Collectible. This is a BrionskiMart Auction. Brionski does NOT waste your time with reserve prices.
===== DESCRIPTION =====
Offered is an EXACT COPY of the Elvis Presley Class of 1953 Humes High School "Herald" Yearbook. Each Page (complete w/ Signatures and Well Wishes) was Painstakingly Scanned, Professionally Printed (by a REAL Yearbook Company) and Bound in a FULLY EMBOSSED Hard Cover in 2003 to Celebrate the 50th Anniversary of the KING'S Graduation. Presley's Individual Portrait Photograph is accompanied by his Inscription: "Best of Everything to a Very Sweet + Cute Girl" Elvis. 
There's a Separate 8 1/2" x 11" Sheet of Paper that Lists the Page Appearances of Elvis and Famous Classmates: GEORGE KLEIN and "Memphis Mafia Member" RED WEST.
Book is in EXCEPTIONALLY EXCELLENT, MINT, NEW CONDITION. When YOU open the book it will be opened for the FIRST TIME.
Obviously, since you have found this auction you have EXCELLENT taste in Old High School, Prep, Academy, Military, College and University Yearbooks.  syosset
  ===== PHOTOGRAPHS =====
PICTURES CAN BE SUPERSIZED. Please Note: Pictures are scanned in / photographed at LOW Resolution for Faster Download. Actual Pictures are "CRISP and CLEAN".   pqrstuvwxyz
==== SIZE & CONDITION ====
Actual Size = 10 3/4" high x 8" wide. 112 Pages. 9 of them OUTSTANDING Local Vintage Advertising. Two of note are for: COCA COLA and PORKY'S DRIVE-IN. Gray Hard COVER w/ EMBOSSED Texture, Orange Letters and Numbers Design. 50th Anniversary Edition is Hot Stamped in Metallic Gold Foil. All Things Considered this Book is in EXCEPTIONAL EXCELLENT, MINT, NEW Condition for it's 9 Years and with your good care will last many more. Cover shows NO Wear of ANY Kind. Corners are Sharp. Binding is SOLID and Inside Pages are in Excellent Bright White NEW Condition. NONE of the Pages are Missing, Torn or Damaged. PLENTY of Original Reproduced Student Signatures and Writing are in this Wonderful Book. Questions are welcomed. Please do not hesitate to ask.
==== SHIPPING ====
This is a BrionskiMart Listing. Brionski does NOT waste your time with reserve prices. Fixed Shipping of $3.50 (US Locations) will be added to the winning bid for "Budget Friendly" Media Mail w/ Tracking Number and ALWAYS SHIPPED IN A HIGHLY PROTECTED BOX. I REPEAT, there is NO Additional Charge for Tracking Confirmation Service. GREAT NEWS for INTERNATIONAL SHIPPING!!! Book WILL Fit into a FIXED PRICE USPS International Service Envelope. Please e-mail w/ Country Destination for an EXACT INTERNATIONAL Shipping Quote. 
PayPal Gladly Accepted and Preferred for FASTEST Shipping. I USUALLY ship the SAME DAY Payment is Received. I will e-mail USPS Tracking Number when Package is "On the Way".
(courtesy of wikipedia)
Elvis Aaron Presley (January 8, 1935–August 16, 1977), was an American singer, musician and actor. He is a cultural icon, often known as "The King of Rock 'n' Roll", or simply "The King". Presley began his career as one of the first performers of rockabilly, an up tempo fusion of country and rhythm and blues with a strong back beat. His novel versions of existing songs, mixing "black" and "white" sounds, made him popular—and controversial—as did his uninhibited stage and television performances. He recorded songs in the rock and roll genre, with tracks like "Hound Dog" and "Jailhouse Rock" later embodying the style. Presley had a versatile voice and had unusually wide success encompassing other genres, including gospel, blues, ballads and pop. To date, he is the only performer to have been inducted into four music halls of fame. In the 1960s, Presley made the majority of his thirty-three movies—mainly poorly reviewed musicals. In 1968, he returned to live music in a television special and thereafter performed across the U.S., notably in Las Vegas. Throughout his career, he set records for concert attendance, television ratings and recordings sales. He is one of the best-selling and most influential artists in the history of popular music. Health problems plagued Presley in later life which, coupled with a punishing tour schedule and addiction to prescription medication, led to his premature death at age 42. EARLY LIFE Presley's father, Vernon (April 10, 1916–June 26, 1979), had several low-paying jobs, including sharecropper and truck driver. His mother, Gladys Love Smith (April 25, 1912–August 14, 1958) worked as a sewing machine operator. They met in Tupelo, Mississippi, and eloped to Pontotoc County where they married on June 17, 1933. Presley was born in a two room house, built by his father, in East Tupelo. He was the second of identical twins—his brother was stillborn and given the name Jesse Garon. He grew up as an only child and "was, everyone agreed, unusually close to his mother." The family lived just above the poverty line and attended the Assembly of God church. Vernon has been described as "a malingerer, always averse to work and responsibility." In 1938, he was jailed for an eight dollar check forgery. During his absence, his wife, described as "voluble, lively, full of spunk", lost the family home. Priscilla Presley recalls her as "a surreptitious drinker and alcoholic." Presley was bullied at school; classmates threw "things at him—rotten fruit and stuff—because he was different... quiet and he stuttered and he was a mama's boy." At age ten, he made his first public performance in a singing contest at the Mississippi-Alabama Fair and Dairy Show. Dressed as a cowboy, the young Presley had to stand on a chair to reach the microphone and sang Red Foley's "Old Shep." He won second prize. In 1946, Presley got his first guitar. In November 1948, the family moved to Memphis, Tennessee, allegedly because Vernon—in addition to needing work—had to escape the law for transporting bootleg liquor. In 1949, they lived at Lauderdale Courts, a public housing development in one of Memphis' poorer sections. Presley practiced playing guitar in the laundry room and also played in a five-piece band with other tenants. Another resident, Johnny Burnette, recalled, "Wherever Elvis went he'd have his guitar slung across his back... He'd go in to one of the cafes or bars... Then some folks would say: 'Let's hear you sing, boy.'" Presley attended L. C. Humes High School, but fellow students apparently viewed the young singer's performing unfavorably: One recalled that he was "a sad, shy, not especially attractive boy" whose guitar playing was not likely to win any prizes. Many of the other children made fun of him as a 'trashy' kind of boy playing 'trashy' hillbilly music." Presley occasionally worked evenings to boost the family income. He began to grow his sideburns and dress in the wild, flashy clothes of Lansky Brothers on Beale Street. He stood out, especially in the conservative Deep South of the 1950s, and was mocked and bullied for it. Despite his unpopularity, he was a contestant in his school's 1952 "Annual Minstrel Show" and won by receiving the most applause and thus an encore (he sang "Cold Cold Icy Fingers" and "Till I Waltz Again With You"). After graduation, Presley was still rather shy, a "kid who had spent scarcely a night away from home". His third job was driving a truck for the Crown Electric Company. He began wearing his hair longer with a "ducktail"—the style of truck drivers at that time. MUSICAL INFLUENCES Initial influences came through his family's attendance at the Assembly of God, a Pentecostal Holiness church. Rolling Stone wrote: "Gospel pervaded Elvis' character and was a defining and enduring influence all of his days." During breaks at recording sessions or after concerts, Presley often joined in private with others for informal gospel music sessions. The young Presley frequently listened to local radio; his first musical hero was family friend Mississippi Slim, a hillbilly singer with a radio show on Tupelo’s WELO. Presley performed occasionally on Slim’s Saturday morning show, Singin’ and Pickin’ Hillbilly. "He was crazy about music... That’s all he talked about," recalls his sixth grade friend, James Ausborn, Slim’s younger brother. Before he was a teenager, music was already Presley’s "consuming passion". J. R. Snow, son of 1940s country superstar Hank Snow, recalls that even as a young man Presley knew all of Hank Snow’s songs, "even the most obscure". In Memphis, Presley went to record stores that had jukeboxes and listening booths, playing old records and new releases for hours. He was an audience member at the all-night black and white "gospel sings" downtown. Memphis Symphony Orchestra concerts at Overton Park were another Presley favorite, along with the Metropolitan Opera. His small record collection included Mario Lanza and Dean Martin. Presley later said, "I just loved music. Music period." Memphis had a strong tradition of blues music and Presley went to blues as well as hillbilly venues. Many of his future recordings were inspired by local African American composers and recording artists, including Arthur Crudup, Rufus Thomas and B.B. King. King says that he "knew Elvis before he was popular. He used to come around and be around us a lot ... on Beale Street." Presley "was an untrained musician who played entirely by ear. 'I don't read music,' he confessed, 'but I know what I like.' ... Because he was not a songwriter, Presley rarely had material prepared for recording sessions..." When he, as a young singer, "ventured into the recording studio he was heavily influenced by the songs he had heard on the jukebox and radio." FIRST RECORDINGS AT SUN STUDIOS On July 18, 1953, Presley went to Sun Records' Memphis Recording Service to record "My Happiness" with "That's When Your Heartaches Begin", supposedly a present for his mother. On January 4, 1954, he cut a second acetate. Sun Records boss Sam Phillips was on the lookout for someone who could deliver a blend of black blues and boogie-woogie music; he thought it would be very popular among white people. Assistant Marion Keisker called Presley on June 26, 1954. After an inauspicious session, Phillips invited local musicians Winfield "Scotty" Moore and Bill Black to audition Presley. Though not overly impressed, a studio session was planned. During a recording break, Presley began "acting the fool" first with Arthur Crudup's "That's All Right (Mama)". Phillips got them all to restart and began taping. This was the sound he had been looking for. The group recorded other songs, including Bill Monroe's "Blue Moon of Kentucky". "That's All Right" was aired on July 8, 1954, by DJ Dewey Phillips. After its release, both sides of "That's All Right"/"Blue Moon of Kentucky" began to chart across the South. FIRST PUBLIC PERFORMANCES Moore and Black began playing regularly with Presley. They gave a few performances in July 1954 to promote the Sun single at the Bon Air, a rowdy music club where the band was not well-received. On July 30 the trio, billed as The Blue Moon Boys, made their first appearance at the Overton Park Shell, with Slim Whitman headlining. A nervous Presley's legs were said to have shaken uncontrollably during this show: his wide-legged pants emphasized his leg movements, apparently causing females in the audience to go "crazy". Presley consciously incorporated similar movements into future shows. DJ and promoter Bob Neal became the trio's manager (replacing Scotty Moore). Moore and Black left their band, the Starlite Wranglers and, from August through October 1954, appeared with Presley at The Eagle's Nest. Presley debuted at the Grand Ole Opry in Nashville on October 2; Hank Snow introduced Presley on stage. He performed "Blue Moon of Kentucky" but received only a polite response. Afterwards, the singer was allegedly told: "Boy, you’d better keep driving that truck." Country music promoter and manager Tillman Franks booked Presley for the Louisiana Hayride on October 16. Before Franks saw Presley, he referred to him as "that new black singer with the funny name". During Presley's first set, the reaction was muted; for the second, Franks advised Presley to "Let it all go!" As house drummer D.J. Fontana (who had worked in strip clubs) complemented Presley's movements with accented beats and Bill Black engaged in his usual stage antics, the crowd was more responsive. According to one source, "Audiences had never before heard such music... [or] seen anyone who performed like Presley either. The shy, polite, mumbling boy gained self-confidence with every appearance... People watching the show were astounded and shocked, both by the ferocity of his performance, and the crowd’s reaction to it... Roy Orbison saw Presley for the first time in Odessa, Texas: 'His energy was incredible, his instinct was just amazing... I just didn’t know what to make of it. There was just no reference point in the culture to compare it.'" Sam Phillips said Presley "put every ounce of emotion ... into every song, almost as if he was incapable of holding back." BREAKTHROUGH YEAR: 1956 Presley's sound proved hard to categorize; he was billed or labeled in the media as "The King of Western Bop", "The Hillbilly Cat" and "The Memphis Flash". On August 15, 1955, "Colonel" Tom Parker became Presley's manager. By August 1955, Sun Studios had released ten sides credited to "Elvis Presley, Scotty and Bill", all typical of the developing Presley style. Several major record labels had shown interest in signing Presley. On November 21, 1955, Parker and Phillips negotiated a deal with RCA Victor Records to acquire Presley's Sun contract for an unprecedented $35,000. To increase the singer's exposure, Parker finally brought Presley to television (In March 1955, Presley had failed an audition for Arthur Godfrey's Talent Scouts). He booked six Dorsey Brothers' Stage Show appearances (CBS), beginning January 28, 1956, when Presley was introduced by Cleveland DJ Bill Randle. Parker also obtained a lucrative two-show deal with Milton Berle (NBC). On January 27, Presley's first RCA single, "Heartbreak Hotel," was released. By April it hit number one in the U.S., and sold one million copies. On March 23, RCA released Elvis Presley, his first album. Like the Sun recordings, the majority of the tracks were country songs. From April 23, he had two weeks at the New Frontier Hotel and Casino on the Las Vegas Strip—billed this time as "the Atomic Powered Singer". His shows were badly received, by critics and the conservative guests. Presley saw Freddie Bell and the Bellboys live in Vegas, and liked their version of Leiber and Stoller's "Hound Dog". By May 16, he had added the song to his own act. A few days after an April 3 appearance for The Milton Berle Show in San Diego, a near-fatal flight taking Presley's band to Nashville for a recording session left all three badly shaken. After more hectic touring, Presley returned to The Milton Berle Show on June 5 and performed "Hound Dog" (without his guitar). Singing it uptempo, he then began a slower version. His exaggerated, straight-legged shuffle around the microphone stand stirred the audience—as did his vigorous leg shaking and hip thrusts in time to the beat. Presley's "gyrations" created a storm of controversy—even eclipsing the 'communist threat' headlines prevalent at the time. The press described his performance as "vulgar" and "obscene". Presley was obliged to explain himself on the local New York City TV show Hy Gardner Calling: "Rock and roll music, if you like it, and you feel it, you can't help but move to it. That's what happens to me. I have to move around. I can't stand still. I've tried it, and I can't do it." The Berle shows drew such huge ratings that Steve Allen (NBC), not a fan of rock and roll, booked him for one appearance in New York. Allen wanted "to do a show the whole family can watch" and introduced a "new Elvis" in white bow tie and black tails. Presley sang "Hound Dog" for less than a minute to a Basset Hound in a top hat. According to one author, "Allen thought Presley was talentless and absurd... he set things up so that Presley would show his contrition..." The day after (July 2), the single "Hound Dog" was recorded and Scotty Moore said they were "all angry about their treatment the previous night". (Presley often referred to the Allen show as the most ridiculous performance of his career.) A few days later, Presley made a "triumphant" outdoor appearance in Memphis at which he announced: "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight." Country vocalists The Jordanaires accompanied Presley on The Steve Allen Show and their first recording session together produced "Any Way You Want Me", "Don't Be Cruel" and "Hound Dog". The Jordanaires would work with the singer through the 1960s. Though Presley had been unhappy, Allen's show had, for the first time, beaten The Ed Sullivan Show in the ratings, causing a critical Sullivan (CBS) to book Presley for three appearances for an unprecedented $50,000. Presley's first Ed Sullivan appearance (September 9, 1956) was seen by some 55–60 million viewers. "Compared to moments on the Dorsey shows and on the Berle show, it was ice cream." On the third Sullivan show, Presley sang only slow paced ballads and a gospel song. The fact that Presley was only shown from the waist up and "stepped out in the outlandish costume of a pasha, if not a harem girl" during this last broadcast has led to claims that Sullivan had "censored" or even "buried" the singer, or that Colonel Parker had orchestrated the episode to generate publicity. In spite of any misgivings about the controversial nature of his performing style, Sullivan declared at the end of the third appearance that Presley was "a real decent, fine boy" and that they had never had "a pleasanter experience" on the show.

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