RARE OPPORTUNITY- STUNNING NEW ORIGINAL OIL PAINTING ON CANVAS "Adora (4) Anna" ......... The girl in the painting is a Parisian Bluebell Girl, the famous Paris Lido cabaret dancers of Margaret Kelly.
..........BY THE INCREDIBLE INTERNATIONALLY ACCLAIMED ARTIST CHARLES WILLMOTT. Charles Willmott has established a reputation as one of the UK's finest figurative realists!!!
Measurements; height 35 1/2 inches by 28 inches (90 cms x 70 cms)
Oil on Canvas
" An Amazing Blue Chip Investment
Opportunity to Acquire an Original Charles Willmott Painting" ..
Invest in one of our paintings, rather than risky bank investments,
where you can actually touch your investment. Take pleasure in looking
at it and watch it appreciate in value over the years!! Remember we
guarantee every painting sold is unique, original e.g only one of it's
kind in the world!!!
Scarcity alone guarantees the investment !!!!
offers works of art which will not only look fantastic in your
home or offices (One Investment Bank in particular has purchased
paintings from us for their offices see Bull paintings) but will also be
a sound financial investment for the future. Art
has long been regarded as a strong and safe investment. Investment in
paintings was discussed recently on Bloomberg television as a sound
investment as a hard asset like Gold, Platinum Silver etc. Also Ellen
a personal finance journalist for The Financial Times recently wrote an
article recommending the purchase of Art, particularly in the $500 -
$50,000 range as a
sound long term investment with an impressive current average annual
increase of 9.7 percent. Go to Latest Art news on Asgard Arts and see Hang your investments on the wall by Ellen Kelleher Published October 22 2010 in the Financial Times.
Ref only; asgard-arts.com
- Internationally acclaimed and published fine artist, Charles Willmott
has established a reputation as one of the UK`s finest figurative
Working from his studio in Herefordshire, the rural heart of England, he
paints mainly in oils, preparing graphite and charcoal studies prior to
the finished work.
He continues to be inspired by and dedicated to three main disciplines, dance, female form and portraiture.
Born in Stratford-upon-Avon, the only son of an artist and metal
craftsman, Charles Willmott’s artistic talent was noted at an early age.
Although he is mainly self taught, Charles did study for a short time
at the Birmingham College of Art where he was able to sell much of his
work as a student.
Charles has been painting since the early ‘60s and in the mid 80s he
acquired a passion for the Orient and its cultures. In 1991 his first
one-man show was staged at London’s Mall Galleries and was unique in
featuring Japan’s national sport, Sumo. In more recent times Charles has
worked closely with the Royal Shakespeare Company, covering a number of
productions including Tim Albery’s Macbeth and Michael Attenborough’s
The Herbal Bed. He has also formed a close relationship with the Royal
Ballet, working extensively with principal dancers including Miyako
Yoshida and Darcey Bussell. In the year 2000 this dedication to the
stage and performance achieved him a finalist place in the prestigious
Today Charles describes himself as a contemporary figurative realist,
concentrating on portraiture, female form and dance. He prepares
graphite and charcoal studies before producing his paintings in oils,
and his accuracy and artistry enable him to create highly sought after
pieces which are collected by a wide audience. He now works from a
studio which is attached to his home on the rural borders of
Herefordshire and Worcestershire where he lives with his wife Susie.
"Painting is a pictorial language with an extensive vocabulary. To me,
the most important words are colour and form and interplay between the
two, creating balance and proportion."
Exhibited in the UK (Including Whitewall Galleries), throughout Europe,
Japan and the USA his highly sought after work is enthusiastically
collected and commissioned by an international audience.
GUARANTEED TO BE 100% ORIGINAL AND GENUINE WITH C.O.A.
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