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Details about  THE DOORS - L.A. WOMAN 2lp753088501173

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THE DOORS - L.A. WOMAN 2lp753088501173
THE-DOORS-L-A-WOMAN-2lp753088501173
Item Ended
Item condition:
Brand new
Ended:
27 May, 2014 16:23:21 AEST
Price:
AU $76.95
Postage:
AU $8.00 Standard Postage | See details
Item location:
Melbourne, VIC, Australia

Description

eBay item number:
291057890565
Seller assumes all responsibility for this listing.
Last updated on  25 Jan, 2014 12:28:27 AEDST  View all revisions

Item specifics

Condition:
Brand new: An item that has never been opened or removed from the manufacturer’s sealing (if applicable). Item ... Read moreabout the condition
Genre:

Rock

Record Label:

QUALITY RECORDS

UPC:

753088501173

VINYL EYE

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THE DOORS

L.A.WOMAN

______ ___________________
artist THE DOORS
title L.A.WOMAN
label QUALITY RECORDS
catalog# APP 75011-45
format VINYL / 2LP  /NEW/ SEALED

 Album info:

Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD

Deluxe gatefold jacket

Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

The title track from this, the last Doors album recorded with Jim Morrison, who died shortly after it was released, has, said one reviewer, “maybe the best Chuck Berry riffs since the Stones.” And that’s not even mentioning “Love Her Madly,” which became one of the highest charting hits for The Doors.

“Love Her Madly,” was written by Doors guitarist Robbie Krieger, who is said to have penned the song about the numerous times his girlfriend threatened to leave him.  The song peaked at No. 11 on the Billboard Hot 100 singles chart  and reached No. 3 in Canada.

L.A. Woman was still high on the charts when, like in the lyric “actor out on loan” of its closing track — the celebrated “Riders on the Storm,” Jim Morrison died in a Paris bathtub in the summer of 1971.

Via such tracks as “The Changeling,” “Crawling King Snake,” and the frothy, rollicking title track, the collection leaned heavily toward the Blues — in particular, Morrison’s boastful “Lizard King” brand of it. All-in-all, Rolling Stone proclaimed L.A. Woman, “The Doors’ greatest album, including their first,” and “A landmark worthy of dancing in the streets.”

Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman —  are featured on 200-gram vinyl, pressed at 45 rpm. All six are also available on Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.

This is no time to wallow in the mire. The Doors are on Analogue Productions!

Originally released in 1971

Ray Manzarek, keyboards

Jim Morrison, vocals

John Densmore, drums

Robby Krieger, guitar

Technical notes about the recording process by Doors producer/engineer Bruce Botnick:

"Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate.

"If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room.

"When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters."

- Bruce Botnick, July 2012

The Changeling
Love Her Madly
Been Down So Long

Side 2
Cars Hiss by My Window
L. A. Woman

Side 3
L'America
Hyacinth House
Crawling King Snake

Side 4
The WASP (Texas Radio and the Big Beat)
Riders On The Storm

 

 

       Purchase multiple items and

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Fantastic combined shipping rates.

Australian postage with in Victoria$8  for each album, plus add an  additional $1.50 for a 'multiple record album' or any additional album.

Australian postage outside of Victoria - $8 for each album, plus add an additional $1.50 for a multiple record album or any additional album.

International postage Please contact us for postal charges before finalising your purchase.

 

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