This amount includes applicable customs duties, taxes, brokerage and other fees. This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions- opens in a new window or tabThis amount includes applicable customs duties, taxes, brokerage and other fees. This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. For additional information, see the Global Shipping Program terms and conditions- opens in a new window or tab
An item that is used but still in very good condition. No damage to the jewellery case or item cover, no scuffs, scratches, cracks, or holes. The cover art and liner notes are included. The VHS or DVD box is included. The video game instructions and box are included. The teeth of disk holder are undamaged. Minimal wear on the exterior of item. No skipping on CD/DVD. No fuzzy/snowy frames on VHS tape. See the seller’s listing for full details and description of any imperfections.
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ITEM: VINYL 12" LP 33 1/3 RPM
ARTIST: TITLE: Black Rose: A Rock Legend COUNTRY PRINTED: OZ CAT No: VERTIGO, 6360169 (1979) COVER: (Grade at EXCELLENT+) light ss top front cnr INNER COVER: (Grade at NEAR MINT- to EXCELLENT+) LABELS: (Grade at MINT) VINYL: (Grade at MINT-) TRACKS: 1 -Do Anything You Want To -Lynott 3:53 2 -Toughest Street in Town -Gorham, Lynott, Moore 4:01 3 -S&M -Downey, Lynott 4:05 4 -Waiting for an Alibi -Lynott 3:30 5 -My Sarah -Lynott, Moore 3:31 6 -Got to Give It Up -Gorham, Lynott 4:24 7 -Get Out of Here -Lynott, Ure 3:37 8 -With Love -Lynott 4:38 9 -Roisin Dubh (Black Rose): A Rock Legend -McPeak, Traditional 7:04 COMMENT: Review by Greg Prato Black Rose: A Rock Legend would prove to be Thin Lizzy's last true classic album (and last produced by Tony Visconti). Guitarist Brian Robertson was replaced by Gary Moore prior to the album's recording. Moore had already been a member of the band in the early '70s and served as a tour fill-in for Robertson in 1977, and he fits in perfectly with Lizzy's heavy, dual-guitar attack. Black Rose also turned out to be the band's most musically varied, accomplished, and successful studio album, reaching number two on the U.K. album chart upon release. Lizzy leader Phil Lynott is again equipped with a fine set of originals, which the rest of the band shines on -- the percussion-driven opener "Do Anything You Want To," the pop hit "Waiting for an Alibi," and a gentle song for Lynott's newly born daughter, "Sarah." Not all the material is as upbeat, such as the funky "S&M," as well two grim tales of street life and substance abuse -- "Toughest Street in Town" and "Got to Give It Up" (the latter sadly prophetic for Lynott). Black Rose closes with the epic seven-minute title track, which includes an amazing, complex guitar solo by Moore that incorporates Celtic themes against a hard rock accompaniment.
Biography by John Dougan Despite a huge hit single in the mid-'70s ("The Boys Are Back in Town") and becoming a popular act with hard rock/heavy metal fans, Thin Lizzy are still, in the pantheon of '70s rock bands, underappreciated. Formed in the late '60s by Irish singer/songwriter/bassist Phil Lynott, Lizzy, though not the first band to do so, combined romanticized working-class sentiments with their ferocious, twin-lead guitar attack. As the band's creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced by Bob Dylan, Bruce Springsteen, and virtually all of the Irish literary tradition. Also, as a black man, Lynott was an anomaly in the nearly all-white world of hard rock, and as such imbued much of his work with a sense of alienation; he was the outsider, the romantic guy from the other side of the tracks, a self-styled poet of the lovelorn and downtrodden. His sweeping vision and writerly impulses at times gave way to pretentious songs aspiring to clichéd notions of literary significance, but Lynott's limitless charisma made even the most misguided moments worth hearing.
VINYL GRADING SYSTEM
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear. NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear. EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing. VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine. GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour. FAIR: RECORD: Still just playable & exhibits considerable surface noise. COVER: Major tears, wearing, splits & stains. POOR: RECORD: Will not play properly due to scratches etc. COVER: Very badly damaged. +(PLUS)/-(MINUS): Slightly up or down in condition as appears in the comments above. NOTE: Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.
BULK POSTAGE SAVINGS
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