Details about The Rodney Crowell Collection [Slipcase] by Rodney Crowell (CD, Aug 1989) NIP!The Rodney Crowell Collection [Slipcase] by Rodney Crowell (CD, Aug 1989) NIP! See original listing
12 Feb, 2014 09:38:31 AEDST
Approximately AU $2.19
[ 0 bids ]
Washington, District Of Columbia, United States
Brand new: An item that has never been opened or removed from the manufacturer’s sealing (if applicable). Item ... Read moreabout the condition
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1. Ashes by Now
2. 'Til I Gain Control Again
3. An American Dream Voila
4. Queen of Hearts
5. Shame on the Moon
6. Old Pipeliner
7. Stars on the Water
9. I Don't Have to Crawl
10. Leaving Louisiana in the Broad Daylight
11. Victim or a Fool
12. I Ain't Living Long Like This
Personnel: Rodney Crowell (vocals, guitar); Albert Lee (guitar, keyboards); Vince Gill, Richard Bennett, Billy Walker, James Burton, Frank Rechard, Hank DeVito, Amos Garrett (guitar); Richard Green, Byron Berline (keyboards); Jerry Jumonville, Phil Kenzie (saxophone); Tony Brown, Mac "Dr. John" Rebennack, Glen D. Hardin, Booker T. Jones, Shane Keister (keyboards); Emory Gordy, David Hungate (bass); Paul Leim, John Ware, Hal Blaine, Larrie London (drums); Rosanne Cash, Emmylou Harris, Larry Willoughby, Nicolette Larson, Donivan Cowart (background vocals).Producers: Rodney Crowell, Craig Leon, Brian Ahern, David Molloy.Pivotal membership in Emmylou Harris' Hot Band and his marriage to Nashville royalty Roseanne Cash probably didn't hurt, but Rodney Crowell's emergence as one of the leading figures of the '80s return to traditional country styles was primarily due to his clear talent as a songwriter and singer. The 12-track THE RODNEY CROWELL COLLECTION, released to capitalize on the critical and commercial success of 1989's KEYS TO THE HIGHWAY, compiles the best moments of his late '70s and early '80s work for Warner Brothers.Gathering hit singles and key album tracks, the set is a near-chronological overview of Crowell's progression, from his rock-tinged earliest songs, to more stripped-down and acoustic material, which pointed towards his later work for Columbia and MCA. Highlights include "Shame on the Moon," which Bob Seger later turned into a minor pop hit, and the almost Randy Newman-like "Voila, An American Dream."
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