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Details about  thangka 24k gold big rare old antique mandala oil painting art thanka buddha 13

thangka 24k gold big rare old antique mandala oil painting art thanka buddha 13 See original listing
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Very Large museum size rare 24k gold original painting antique old master piece Buddha mandala.92cm

08 Apr, 2014 00:43:55 AEST
AU $500.00
FREE Express delivery | See details
Item location:
Footscray, VIC, Australia

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Last updated on  03 Apr, 2014 22:05:04 AEDST  View all revisions

Item specifics

Seller Notes: Very Large museum size rare 24k gold original painting antique old master piece Buddha mandala.92cm




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I have my own art gallery in Kathmandu Nepal aND Melbourne.So i have bring some of it to sell here. It 100% original hand painting antique very big museum size master piece series of wheel of life mandala antqiue thangka painted by master monk in the monastery of Himalaya region in Nepal. the thangka is more nice in real than in picture. . The thangka painting describes all the wheel of time and life. The story of the thangka is given below.

Antique Large Wheel of life thangka

Size:height 92cm X 68cm approx with border

material:cotton canvas,24k gold,natural and stone color


•I'll post usually within 1 day through register australian post via air mail which will take 3-9 working days.
•The thangka can be easily rolled up for packing & moving.
•The thangka comes with a safety post tube .
•Within australia i'll post via Register australian post which will take 2-5 working days


•Your satisfaction is My first priority,so if you dont like the painting simply email or message us we can give you full refund or exchange with another painting(thangka)
•Your feedback is very important for us so please leave some feedback if you like our paintings ,if you not happy you can email us I will try My best to help you and resolve the problem

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Commonly referred to as the "Wheel of Life," this classical imge from the Tibetan Buddhist tradition depicts the psychological states, or realms of existence, associated with the unenlightened state. A powerful mirror for spiritual aspirants, the wheel of deluded existence is often painted to the left of Tibetan monastery doors; it offers an opportunity for monks and pilgrims alike to look deeply into their essential being. At the center of the Mandala, the intertwined images of a pig, a rooster, and a snake symbolically depict the ignorance, greed, and aggression that characterize the worlds of suffering and dissatisfaction, which Buddhist call Samsara. Surrounding the central figures are five concentric rings of attendant deities or, in the case of these Thankas, their symbolic equivalents. The first circle, the circle of Great Bliss, consists of four goddesses in the four cardinal directions. At the intermediate points of the compass are four skull cups supported by vases and containing seminal essences, blood, five ambrosial nectars, and the "five awakening." The second circle is the Circle of Mind (Chittachakra); the third is the Circle of Speech (Vakrachakra); the fourth, the Circle of the Body (Kayachakra); and the fifth, the Circle of Tantric Vows (Samayachakra). In the second two versions, these circles are represented by stylized lotus petals radiating from the central image. Each of the Mandalas is inscribed by a decorative frieze of mythical animals and floral motifs, an element introduced into Buddhist painting in the mid – twentieth century by Newar artists of the Kathmandu valley. As a support for inner transformation, Chakrasamvara's blissful radiance converts timid responses to reality into radical engagement. When desire no longer clings to its object, it awakens to its primordial nature, which no longer divides into self and other. This blissful awareness encompasses all life and emotions, combusting in the liberating vision of selfless ecstasy. On the outer ring of the first Mandala are the eight charnel grounds that confront Tantric practitioners with a realm beyond hopes, desires, preferences, and fears. The charnel grounds signify the transformative energies of Tantra itself, the seamless continuity of life and death. Ignorance of our true nature is transformed in the charnel grounds into fearless and radiant awareness, the corpse of our mundane self consumed by jackals and flames. Without an acceptance of death and transfiguration, our aspirations to wholeness, to Buddhahood, can never bear fruit. All Creation Begins with the sacred union of male and female energies. To experience the pure creative passion between man and woman, to know unconditional love, is to manifest the body, mind, and spirit of a Buddha



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