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Details about  tracy chapman - self titled album - Fast Car

tracy chapman - self titled album - Fast Car See original listing
tracy-chapman-self-titled-album-Fast-Car
Item Ended
Item condition:
Very good
Ended:
26 Jun, 2014 21:01:09 AEST
Winning bid:
AU $1.00
3 bids ]
Postage:
AU $3.50 Standard Postage | See details
Item location:
Sandy Bay, TAS, Australia

Description

eBay item number:
151332149512
Seller assumes all responsibility for this listing.

Item specifics

Condition:
Very good: An item that is used but still in very good condition. No damage to the jewellery case or item ... Read moreabout the condition
Genre:

Folk

Release Year:

1988

Record Label:

Elektra (Label)

Duration:

Album

UPC:

075596077422

Detailed item info

Album Features
UPC:075596077422
Artist:Tracy Chapman
Format:CD
Release Year:1988
Record Label:Elektra (Label)
Genre:Folk

Track Listing
1. Talkin' Bout a Revolution
2. Fast Car
3. Across the Lines
4. Behind the Wall
5. Baby Can I Hold You
6. Mountains O' Things
7. She's Got Her Ticket
8. Why?
9. For My Lover
10. If Not Now...
11. For You

Details
Playing Time:36 min.
Contributing Artists:David LaFlamme, Paulinho DaCosta
Producer:David Kershenbaum
Distributor:n/a
Recording Type:Studio
SPAR Code:n/a

click the link below for full album previewhttp://www.allmusic.com/album/tracy-chapman-mw0000199023Talkin' Bout A RevolutionFast CarAcross The LinesBehind The WallBaby Can I Hold YouMountains O' ThingsShe's Got Her TicketWhy?For My LoverIf Not Now...For Youallmusic 5/5 stars Arriving with little fanfare in the spring of 1988, Tracy Chapman's eponymous debut album became one of the key records of the Bush era, providing a touchstone for the entire PC movement while reviving the singer/songwriter tradition. And Tracy Chapman is firmly within the classic singer/songwriter tradition, sounding for all the world as if it was recorded in the early '70s -- that is, if all you paid attention to were the sonics, since Chapman's songs are clearly a result of the Reagan revolution. Even the love songs and laments are underscored by a realized vision of trickle-down modern life -- listen to the lyrical details of "Fast Car" for proof. Chapman's impassioned liberal activism and emotional resonance enlivens her music, breathing life into her songs even when the production is a little bit too clean. Still, the juxtaposition of contemporary themes and classic production precisely is what makes the album distinctive -- it brings the traditions into the present. At the time, it revitalized traditional folk ideals of social activism and the like, kick starting the PC revolution in the process, but if those were its only merits, Tracy Chapman would sound dated. The record continues to sound fresh because Chapman's writing is so keenly observed and her strong, gutsy singing makes each song sound intimate and immediate.artist biographyTracy Chapman helped restore singer/songwriters to the spotlight in the '80s. The multi-platinum success of Chapman's eponymous 1988 debut was unexpected, and it had lasting impact. Although Chapman was working from the same confessional singer/songwriter foundation that had been popularized in the '70s, her songs were fresh and powerful, driven by simple melodies and affecting lyrics. At the time of her first album, there were only a handful of artists performing such a style successfully, and her success ushered in a new era of singer/songwriters that lasted well into the '90s. Furthermore, her album helped usher in the era of political correctness -- along with 10,000 Maniacs and R.E.M., Chapman's liberal politics proved enormously influential on American college campuses in the late '80s. Of course, such implications meant that Chapman's subsequent recordings were greeted with mixed reactions, but after several years out of the spotlight, she managed to make a very successful comeback in 1996 with her fourth album,New Beginning, thanks to the Top Ten single "Give Me One Reason."Raised in a working class neighborhood in Cleveland, OH, Chapman learned how to play guitar as a child, and began to write her own songs shortly afterward. Following high school, she won a minority placement scholarship and decided to attend Tufts University, where she studied anthropology and African studies. While at Tufts, she became fascinated with folk-rock and singer/songwriters, and began performing her own songs at coffeehouses. Eventually, she recorded a set of demos at the college radio station. One of her fellow students, Brian Koppelman, heardChapman play and recommended her to his father, Charles Koppelman, who ran SBK Publishing. In 1986, she signed with SBK and Koppelman secured a management contract with Elliot Roberts, who had worked with Neil Young andJoni Mitchell. Roberts and Koppelman helped Chapman sign to Elektra in 1987.Tracy ChapmanChapman recorded her debut album with David Kershenbaum, and the resulting eponymous record was released in the spring of 1988. Tracy Chapman was greeted with enthusiastic reviews, and she set out on the road supporting 10,000 Maniacs. Within a few months, she played at the internationally televised concert for Nelson Mandela's 70th birthday party, where her performance was greeted with thunderous applause. Soon, the single "Fast Car" began climbing the charts, eventually peaking at number six. The album's sales soared along with the single, and by the end of the year, the record had gone multi-platinum. Early the following year, the record won four Grammys, including Best New Artist.CrossroadsIt was an auspicious beginning toChapman's career, and it was perhaps inevitable that her second album, 1989's darker, more political Crossroads, wasn't as successful. Although it was well-reviewed, the album wasn't as commercially successful, peaking at number nine and quickly falling down the charts. Following Crossroads,Chapman spent a few years in seclusion, returning in 1992 with Matters of the Heart. The album was greeted with mixed reviews and weak sales, andChapman had fallen into cult status. Three years later, she returned with New Beginning, which received stronger reviews than its predecessor. The bluesy "Give Me One Reason" was pulled as the first single, and it slowly became a hit, sending the album into the U.S. Top Ten in early 1996. It was a quiet, successful comeback from an artist most observers had already consigned to forever languish in cult status. Telling Stories followed in early 2000. Let It Rain followed two years later. For 2005's Where You Live, Chapman co-produced the album with Tchad Blake. Our Bright Future, co-produced by Chapman and Larry Klein, appeared in 2008.

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