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- DescriptionThe American artist Man Ray was one of the most influential figures of the historical avant-garde, contributing significantly to the development of both Dadaism and Surrealism. Whilst his pioneering work in photography assured him international acclaim, his activity in other areas, tably film, is to this day both unkwn and undervalued. During the 1920s Man Ray made four short experimental films and collaborated on a host of other projects with people such as Marcel Duchamp, Fernand Leger, Rene Clair and Hans Richter. These works, along with a series of cinematic essays and home movies made during the 1920s and 1930s, represent the most important contribution to the development of an alternative mode of filmmaking in the early twentieth century. This book explores Man Ray's cinematic interactions from the perspective of his interdisciplinary artistic sensibility, creating links between film, photography, painting, poetry, music, architecture, dance and sculpture. By exposing his preoccupation with form, and his ambiguous relationship with the politics and aesthetics of the Dada and Surrealist movements, the author paints an intimate and complex portrait of Man Ray the filmmaker.
- Author BiographyKim Knowles is Lecturer in Film Studies at Aberystwyth University and Experimental Film Programmer at the Edinburgh International Film Festival. Her writings on the films and photography of Man Ray have been published in French Studies and History of Photography.
- Author(s)Kim Knowles
- PublisherPeter Lang Ltd
- Date of Publication26/04/2012
- SubjectFilm, TV & Radio
- Series TitlePeter Lang Ltd.
- Place of PublicationWitney
- Country of PublicationUnited Kingdom
- ImprintPeter Lang Ltd
- Content Note22 b&w photos
- Weight430 g
- Width140 mm
- Height215 mm
- Spine20 mm
- Edition Statement2nd Revised edition
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