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- DescriptionAlice Aycock's large, semi-architectural works deal with the interaction of structure, site, materials, and the psychophysical responses of the viewer. Offered meaningful but contradictory clues by both her images and her texts, viewers attempt to discover t only what the work of art conveys but how it communicates its contents, in investigations that parallel the artist's own. In Alice Aycock: Sculpture and Projects, Robert Hobbs examines the development of Aycock's work over twenty years and her negotiation -- along with other artists who came of age in the early 1970s -- of the transition from modernism to postmodernism. The problem, wrote Aycock in 1977, seems to be how to connect without connecting. Hobbs describes Aycock's strategies for doing just this: for creating a work with disparate image and texts that offer a new perspective on reality. Influenced by the specific objects of minimalism's hybrid forms and by conceptualism's emphasis on language, Aycock relies on paradigms, cybernetics, phemelogy, physics, post-structuralism, psychoanalysis, information overload, outdated scientific thinking, and computer programming to create a complex that is architectural and sculptural as well as mental and emotional. Schizophrenia and other mental conditions, sometimes considered metaphors for the disconnections of postmodern existence, are specific sources of inspiration in Aycock's work. By exploring the physical and existential positions of isolation, estrangement, disorientation, entrapment and fear, her three-dimensional constructions t only posit alternative states of mind, they suppose possible narratives and suggest multiple truths and lies. Aycock's work invites the viewer to experience sculpture with the entire body and a fully mind. Her sculpture has had a transformative effect on the contemporary art experience.
- Author BiographyRobert Hobbs is Rhoda Thalheimer Endowed Chair in the Department of Art History at Virginia Commonwealth University. He is the author of many books, including monographs on Edward Hopper, Mark Lombardi, Lee Krasner, Robert Smithson, and Kara Walker.
- Author(s)Robert Hobbs
- PublisherMIT Press Ltd
- Date of Publication11/10/2005
- SubjectIndividual Artists / Art Monographs
- Place of PublicationCambridge, Mass.
- Country of PublicationUnited States
- ImprintMIT Press
- Content Note154 illus., black and white and color
- Weight2360 g
- Width216 mm
- Height280 mm
- Spine38 mm
- Interest AgeFrom 18
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