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About this product
- DescriptionThe question whether or t seventeenthcentury painters such as Rembrandt and Rubens created the paintings which were later sold under their names, has caused many a heated debate. Much is still unkwn about the ways in which paintings were produced, assessed, priced, and marketed. For example, did contemporary conisseurs expect masters such as Rembrandt to paint their works entirely by their own hand? Who was credited with the ability to assess paintings? How did a painting's price relate to its quality? And how did conisseurship change as the art market became increasingly complex? The contributors to this essential volume trace the evolution of conisseurship in the booming art market of the seventeenth- and eighteenth centuries. Among them are the rewned Golden Age scholars Eric Jan Sluijter, Hans Van Miegroet and Neil De Marchi. It is t to be missed by anyone with an interest in the Old Masters and the early modern art market.
- Author BiographyAnna Tummers is Curator of Old Masters[-]at the Frans Hals Museum in Haarlem.|Koenraad Jonckheere is a postdoctoral fellow at the University of Amsterdam.
- PublisherAmsterdam University Press
- Date of Publication01/09/2008
- SubjectFine Arts / Art History
- Series TitleAmsterdam Studies in the Dutch Golden Age
- Place of PublicationAmsterdam
- Country of PublicationNetherlands
- ImprintAmsterdam University Press
- Content Note45 black and white 20 colour illustrations
- Weight480 g
- Width160 mm
- Height240 mm
- Spine23 mm
- Edited byAnna Tummers,Koenraad Jonckheere
- Format DetailsWith flaps
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