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- DescriptionThe idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger order outside of oneself. Aspiring to the Landscape examines this persistent desire and how it is made manifest in contemporary landscape art. Four installations of large-scale paintings by Canadian artists Elear Bond, Susan Feindel, Stephen Hutchings, and Wanda Koop are the focus of Petra Halkes's study. The works vary widely in style and icography but are drawn together by the way they invite a reflection on the troubled relationship between culture and nature and our contradictory and simultaneous longing to conquer and to succumb to nature. It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture.
- Author BiographyPetra Halkes is an independent curator, painter, and art critic living in Ontario.
- Author(s)Petra Halkes
- PublisherUniversity of Toronto Press
- Date of Publication01/05/2005
- SubjectIndividual Artists / Art Monographs
- Place of PublicationToronto
- Country of PublicationCanada
- ImprintUniversity of Toronto Press
- Content Noteillustrations (some colour)
- Weight480 g
- Width160 mm
- Height236 mm
- Spine20 mm
- Format DetailsWith dust jacket
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