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- DescriptionConceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, t as a derivative of Euroamerican models. In this book, one of Latin America's foremost conceptualist artists, Luis Camnitzer, offers a firsthand account of conceptualism in Latin American art. Placing the evolution of conceptualism within the history Latin America, he explores conceptualism as a strategy, rather than a style, in Latin American culture. He shows how the roots of conceptualism reach back to the early nineteenth century in the work of Simon Rodriguez, Simon Bolivar's tutor. Camnitzer then follows conceptualism to the point where art crossed into politics, as with the Argentinian group Tucuman arde in 1968, and where politics crossed into art, as with the Tupamaro movement in Uruguay during the 1960s and early 1970s. Camnitzer concludes by investigating how, after 1970, conceptualist manifestations returned to the fold of more conventional art and describes some of the consequences that followed when art evolved from being a political tool to become what is kwn as political art.
- Author BiographyAfter years of attacking from the margins, LUIS CAMNITZER is now, ironically, a bona fide international artist, whose work has appeared in the Venice Biennial, Documenta 11, the Whitney Biennial, and several Havana Biennials. A professor emeritus at SUNY College at Old Westbury, Camnitzer presently is the pedagogical curator for the Ibere Camargo Foundation in Brazil. He is the author of several books, including Conceptualism in Latin American Art: Didactics of Liberation. He lives in Great Neck, New York.
- Author(s)Luis Camnitzer
- PublisherUniversity of Texas Press
- Date of Publication01/07/2007
- SubjectFine Arts / Art History
- Series TitleJoe R. & Teresa Lozano Long Series in Latin American & Latino Art & Culture
- Place of PublicationAustin, TX
- Country of PublicationUnited States
- ImprintUniversity of Texas Press
- Content Note85 color and 25 b&w illus.
- Weight1645 g
- Width5193 mm
- Height6466 mm
- Spine814 mm
- Format DetailsTrade paperback (US)
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