Creativity, Inc: Building an Inventive Organization by Richard A. Harriman, Jeff Mauzy (Hardback, 2003)
Brand newLOWEST PRICE
- AU $45.42+ AU $10.00 postage
- Brand new condition
- Sold by roxy*books
- See details for delivery est.
- AU $23.34+ AU $4.99 postage
- Good condition
- Sold by whattaplace
- See details for delivery est.
All listings for this product
Best-selling in Textbooks
Save on Textbooks
- AU $27.54Trending at AU $43.72
- AU $80.99Trending at AU $87.50
- AU $72.90Trending at AU $77.17
- AU $71.88Trending at AU $72.89
- AU $78.98Trending at AU $85.01
- AU $72.90Trending at AU $79.03
- AU $34.78Trending at AU $42.43
About this product
- DescriptionTo survive and prosper in the long term, people in companies need to create and invate. And they need to do so as regularly and reliably as they breathe. We begin our discussion of the need for creativity with a look at a successful company that recognized and met a serious new challenge by installing effective creative practices. In the late 1980s, Steelcase Inc., one of the largest U.S. manufacturers of office furniture, like its competitors was investing heavily in research and development in the hot area of its business, modular furniture units. We had all evolved to the same perspective, says Mark Greiner, senior vice president of R&D at Steelcase. There was an accepted framework in the industry, defined by three points on a triangle: high design, low cost, and customer relationship. Furniture companies had been differentiating themselves along the points of that triangle for some time. Steelcase was proudest of its customer relationships and placed most of its emphasis on maintaining that edge. But in fact, Greiner says, all the manufacturers, by watching each other, had gravitated over time toward safer and safer ground in the middle of the triangle defined by those three points. Thus, the differences between Steelcase and its rivals had grown almost nexistent. We were supposedly the most advanced office furniture company in the world, but in fact we were looking pretty much like our competition, he says. Worse, the customer was in motion. The exciting techlogical liberties of computing and communications made office design and furniture seem less urgent, even less relevant to some businesses. This realization didn't come suddenly, says Greiner. But it started creeping more often into our conversations. Where's the difference? What's our value? While the industry focused on a familiar, well-understood, highly defined world, the real world was changing. Steelcase needed to break free of many long-held beliefs about customer needs, beliefs that had become invalid. To reconnect with office furniture buyers, the company needed new ideas.Steelcase in the late 1980s qualified as a candidate for creativity and invation, and through the course of the book, we'll follow the Steelcase story. But the Steelcase story is t unique. Corporate leaders in almost any business today need to kw the fundamental elements for initiating and sustaining creativity and invation. And they must understand the ways in which those elements work together. The speed of change in the ecomy has long since penalized companies and industries that try to coast with scattershot invation or a single moment of creative serendipity. It w punishes even strategically astute companies that make serious but only sporadic, isolated, or conventional efforts at creativity and invation. In the 1870s, Aaron Ward targeted quality-and-value-starved rural shoppers with a single-page, cash-only price list mailed to National Grange members. There was eugh creativity and invation in that business plan to start Montgomery Ward on a 125-year run.The only further invation of any scope, however, was to build out stores across the country, a strategy that within a few decades caused the company to fall so far behind the pace of change in contemporary imagination and desires that customers stayed away. Still, 125 years is a good ride. Increasingly, the time period that an invation can last is far shorter. Look at the home audio music business. The music box controlled that market for 100 years. The phograph controlled the market for 70 years. Cassette tapes dominated for 25 years until the arrival of CDs. Now, after 10 years, CDs compete with mini-disks, DVDs, MP3, and the Internet. And, as if the inexorable compounding in the rate of techlogical change weren't sufficiently uncomfortable, consider Digital Equipment Corporation and Wang.In 1985, the two pioneering computer companies were at the top of their business and successfully de
- Author BiographyJeff Mauzy is a consultant at Synectics, Inc. and Chairman of Inventive Logic, Inc., a start-up company that develops idea generation and problem-solving software. Richard A. Harriman is Managing Partner and Chairman of the Executive Committee at Synectics Inc., a forty-year-old international consulting firm that specializes in fostering innovation in business.
- Author(s)Jeff Mauzy,Richard A. Harriman
- PublisherHarvard Business Review Press
- Date of Publication01/04/2003
- SubjectCareers & Success
- Country of PublicationUnited States
- ImprintHarvard Business Review Press
- Weight544 g
- Width160 mm
- Height236 mm
- Spine30 mm
This item doesn't belong on this page.
Thanks, we'll look into this.