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- DescriptionArchives are often depicted as musty repositories, museum cellars, warehouses shoring up retaining walls against forgetfulness and the inevitable erosions of time. Objects deposited in the archives are tucked away for safekeeping. But Louise Warren's archives are t file boxes or document lockers. They are t relegated to closed cabinets in locked rooms. They are where writing goes and what writing does. The world represents the first two of Warren's archival trilogy.
- Author BiographyBorn in Montreal, poet and essayist Louise Warren has published more than twenty-five books, among these the collection Anthologie du present (les editions du passage, 2012). Her essays offer a reflection on the arts and the creative process, and her body of work includes many artists books. She participates regularly in international conferences and festivals and has been the recipient of numerous prizes and honours. Her most recent essay, Apparitions: Inventaire de latelier, was published by Nota bene. A special issue of Cahiers litteraires Contre-jour (number 28) is devoted to her work. Poet and translator Karen McPherson lives in Oregon where she is an editor in the Airlie Press publishing collective. Her poems and translations have appeared in a number of literary journals and anthologies. A chapbook of her poetry, Sketching Elise, was published by Finishing Line Press in 2012. A professor of French and Francophone Studies at the University of Oregon, she has published two critical monographs: Incriminations: Guilty Women/Telling Stories (Princeton UP, 1994) and Archaeologies of an Uncertain Future: Recent Generations of Canadian Women Writing (McGill-Queens UP, 2006).
- Author(s)Louise Warren
- PublisherGuernica Editions,Canada
- Date of Publication01/09/2013
- SubjectGeneral & Literary Fiction
- Place of PublicationToronto
- Country of PublicationCanada
- ImprintGuernica Editions,Canada
- Weight282 g
- Width155 mm
- Height230 mm
- Spine15 mm
- Translated byKaren McPherson
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