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About this product
- DescriptionIn the Alcestis, the title character sacrifices her own life to save that of her husband, Admetus, when he is presented with the opportunity to have someone die in his place. Alcestis compresses within itself both tragedy and its apparent reversal, staging in the process fascinating questions about gender roles, family loyalties, the nature of heroism, and the role of commemoration. Alcestis is Euripides's earliest complete work and his only surviving play from the period preceding the outbreak of the Peloponnesian War. Currently dominant post-structuralist models of Greek tragedy focus on its 'oppositional' role in the discourse of war and public values. This study challenges t only this politicised model of tragic discourse but also both traditional masculinist and more recent feminist readings of the discourse and performance of gender in this remarkable play. The play survived in the performance repertoire of antiquity into the Roman period. Euripides' version strongly influenced the reception of the myth through the middles ages into the Renaissance, and the story enjoyed a lively afterlife through opera. Alcestis' contested reception in the last two centuries charts our changing understanding of tragedy. Niall Slater's study explores the reception and afterlife of the play, as well as its main themes, the myth before the play, the play's historical and social context and the central developments in modern criticism.
- Author BiographyNiall W. Slater is S. C. Dobbs Professor of Latin and Greek in the Department of Classics at Emory University, USA.
- Author(s)Niall W. Slater
- PublisherBloomsbury Publishing PLC
- Date of Publication12/09/2013
- SubjectLiterary Studies: Textbooks & Study Guides
- Series TitleCompanions to Greek and Roman Tragedy
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- ImprintBloomsbury Academic
- Content Noteblack & white illustrations
- Weight187 g
- Width138 mm
- Height216 mm
- Spine13 mm
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