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- DescriptionFocusing on the role of genre in the formation of dominant conceptions of death and dying, Desiree Henderson examines literary texts and social spaces devoted to death and mourning in eighteenth- and nineteenth-century America. Henderson shows how William Hill Brown, Susanna Rowson, and Hannah Webster borrowed from and challenged funeral sermon conventions in their velistic portrayals of the deaths of fallen women; contrasts the eulogies for George Washington with William Apess's Eulogy for King Philip to expose conflicts between national ideology and indigeus history; examines Frederick Douglass's use of the slave cemetery to represent the costs of slavery for African American families; suggests that the ideas about democracy materialized in Civil War cemeteries and monuments influenced Walt Whitman's war elegies; and offers new contexts for analyzing Elizabeth Stuart Phelps's The Gates Ajar and Emily Dickinson's poetry as works that explore the consequences of female writers claiming authority over the mourning process. Informed by extensive archival research, Henderson's study eloquently speaks to the ways in which authors adopted, revised, or rejected the conventions of memorial literature, choices that disclose their location within decisive debates about appropriate gender roles and sexual practices, national identity and citizenship, the consequences of slavery, the nature of democratic representation, and structures of authorship and literary authority.
- Author BiographyDesiree Henderson is Associate Professor of English and Interim Director of Women's Studies at University of Texas Arlington, where she specializes in early American and women's literature.
- Author(s)Desiree Henderson
- PublisherTaylor & Francis Ltd
- Date of Publication28/04/2011
- SubjectLiterary Criticism
- Country of PublicationUnited Kingdom
- ImprintAshgate Publishing Limited
- Content NoteIncludes 11 b&w illustrations
- Weight530 g
- Width156 mm
- Height234 mm
- Spine13 mm
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