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- DescriptionIn this pathbreaking study, Fiona I. B. Ngo examines how geographies of U.S. empire were perceived and enacted during the 1920s and 1930s. Focusing on New York during the height of the Harlem Renaissance, Ngo traces the city's multiple circuits of jazz music and culture. In considering this cosmopolitan milieu, where immigrants from the Philippines, Cuba, Puerto Rico, Mexico, Japan, and China crossed paths with blacks and white slummers in dancehalls and speakeasies, she investigates imperialism's profound impact on racial, gendered, and sexual formations. As nightclubs overflowed with the sights and sounds of distant continents, tropical islands, and exotic bodies, tropes of empire provided both artistic possibilities and policing rationales. These renderings naturalized empire and justified expansion, while establishing transnational modes of social control within and outside the imperial city. Ultimately, Ngo argues that domestic structures of race and sex during the 1920s and 1930s cant be understood apart from the imperial ambitions of the United States.
- Author BiographyFiona I. B. Ngo is Assistant Professor of Asian American Studies and of Gender and Women's Studies at the University of Illinois, Urbana-Champaign.
- Author(s)Fiona I. B. Ngo
- PublisherDuke University Press
- Date of Publication21/02/2014
- SubjectSociology & Anthropology: Professional
- Place of PublicationNorth Carolina
- Country of PublicationUnited States
- ImprintDuke University Press
- Content Note11 photographs
- Weight386 g
- Width3895 mm
- Height5830 mm
- Spine15 mm
- Format DetailsTrade paperback (US)
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