Metaphor and Meaning in D.H.Lawrence's Later Novels by John B. Humma (Hardback, 1990)
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- DescriptionAlthough D.H.Lawrence's later vels have been the subject of much discussion by critics, few scholars have recognized or dealt with his sense of craft. By examining Lawrence's careful and finely orchestrated strategies with language, especially metaphor, Humma argues that a number of the longer works - from Aaron's Rod on and including the posthumously published The Virgin and the Gipsy - are small masterpieces. Different in kind from Women in Love or The Rainbow , these fictions are very important in their own way. Humma maintains that the early and middle vels work largely through powerful symbols. Those of the last decade, though, develop through an intricate interlace of metaphor and symbolic detail. Humma devotes a chapter each to Aaron's Rod , The Ladybird , Kangaroo , St. Mawr , The Plumed Serpent , The Virgin and the Gipsy , Lady Chatterley's Lover , and The Eascaped Cock . Aaron's Rod , as a transitional work reveals much about Lawrence's narrative method and its dependence upon combinations of images. The Plumed Serpent , Humma suggests, is Lawrence's most ambitious failure. Other critics have faulted plot, character and meaning, but Humma sees incoherent metaphors as the basis for those other problems. Because Lawrence's metaphors shape myths essential to central actions and meanings, the reader cant fully appreciate the later vels without studying the strategic function of metaphor in them. When Lawrence's method is successful as it is in Lady Chatterley's Lover , for example, figures of speech overlap each other, crossing boundaries in a web of interpenetrating metaphors that provide both structural integrity and thematic resonance. Paying close attention to the texts, Metaphor and Meaning in D.H. Lawrence's Later Novels show that Lawrence was far from the indifferent craftsman in his later fiction that he has frequently been considered. In fact, Lawrence was accutely aware that language and meaning are inseperable, that technique, as Mark Schorer said, is discovery. John Humma's perspective upon the art and meaning of Lawrence's later work provides a major revaluation of this last phase in the writer's career.
- Author BiographyJohn B. Humma is Professor of English at Georgia Southern University and has published extensively on Lawrence s work. He received Georgia Southern University s Excellence in Research Award for 1988.
- Author(s)John B. Humma
- PublisherUniversity of Missouri Press
- Date of Publication31/12/1990
- SubjectLiterary Criticism
- Place of PublicationMissouri
- Country of PublicationUnited States
- ImprintUniversity of Missouri Press
- Content Notebibliography, index
- Weight408 g
- Width156 mm
- Height234 mm
- Spine16 mm
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