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About this product
- DescriptionGeorge H. Cowling (1881-1946), Lecturer in English at the University of Leeds and subsequently Professor of English at Melbourne, wrote this study as his dissertation, inspired by his own love of music. He shows what kinds of music were used on the Elizabethan stage, and explains where in the theatre, at which point during the plays and with which instruments and personnel the music was performed. He also assesses what both songs and incidental music contributed to the meaning and the performance of Shakespeare, going back to examine the roots of dramatic music in the use of religious music in the medieval Mystery plays. He offers a lively and approachable introduction to the subject that provides a way into the field of early modern music in the theatre, and a foundation for more detailed critical work.
- Author(s)George Herbert Cowling
- PublisherCambridge Library Collection
- Date of Publication20/07/2009
- SubjectLiterary Criticism
- Series TitleCambridge Library Collection - Shakespeare and Renaissance Drama
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note11 b/w illus.
- Weight230 g
- Width152 mm
- Height229 mm
- Spine9 mm
- Format DetailsTrade paperback (US)
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