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- DescriptionThis book offers a wide-ranging introduction to the way that art was made, valued, and viewed in rthern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-kwn works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and ecomic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic invation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.
- Author BiographySusie Nash is senior lecturer in Northern Renaissance Art at the Courtauld Institute of Art in London. She is also the founder and director of the Courtauld Institute Summer School programme and has published widely on northern Renaissance art, including most recently a study of the famous Well of Moses by Claus Sluter.
- Author(s)Susie Nash
- PublisherOxford University Press
- Date of Publication27/11/2008
- SubjectFine Arts / Art History
- Series TitleOxford History of Art
- Place of PublicationOxford
- Country of PublicationUnited Kingdom
- ImprintOxford University Press
- Content Note211 illustrations in full colour
- Weight860 g
- Width168 mm
- Height238 mm
- Spine16 mm
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