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About this product
- DescriptionHistorians of French politics, art, philosophy and literature have long kwn the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragedies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opera from August 1752 to February 1754 and discusses Rameau's comedies Platee and Les Paladins and their origins.
- Author BiographyDavid Charlton is Professor Emeritus, Music History, at Royal Holloway, University of London. He is a regular contributor to conferences and has sat on the Council of the Royal Musical Association and the Comite International Hector Berlioz. He has published widely on the history of opera and his books include Gretry and the Growth of Opera-Comique (1986), E. T. A. Hoffmann's Musical Writings (1989), French Opera, 1730-1830 (2000) and The Cambridge Companion to Grand Opera (as editor, 2003).
- Author(s)David Charlton
- PublisherCambridge University Press
- Date of Publication25/10/2012
- SubjectMusic & Dance
- Series TitleCambridge Studies in Opera
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note17 b/w illus. 55 tables 100 music examples
- Weight890 g
- Width174 mm
- Height247 mm
- Spine24 mm
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