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- DescriptionMichele Longi examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longi explores plays by Corneille, Moliere and Racine, Le Cid, Medee, and Le Bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longi considers these dramatizations in the context of French-Ottoman relations at the time of their production. She argues that what goes on in the cultural space of the theatre speaks to the larger domestic and international issues of the time, with important repercussions in our own postcolonial era. These plays continue to loom large in French cultural production even today, perpetuating a tion of 'Frenchness' that is meanwhile being increasingly put into question by the very demographics of France.
- Author BiographyMichele Longino is Associate Professor of French Studies in the Department of Romance Studies at Duke University. She is the author of Performing Motherhood: The Sevigne Correspondence (1991).
- Author(s)Michele Longino
- PublisherCambridge University Press
- Date of Publication16/03/2006
- SubjectLiterary Criticism
- Series TitleCambridge Studies in French
- Series Part/Volume NumberNo. 69
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note8 b/w illus.
- Weight430 g
- Width152 mm
- Height228 mm
- Spine17 mm
- Series Edited byMichael Sheringham
- Format DetailsTrade paperback (US)
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