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About this product
- DescriptionBefore Modernism, narrative painting was one of the most acclaimed and challenging modes of picture-making in Western art, yet by the early twentieth century storytelling had all but disappeared from ambitious art. France was a key player in both the dramatic rise and the controversial demise of narrative art. This is the first book to analyse French painting in relation to narrative, from Poussin in the early seventeenth to Gauguin in the late nineteenth century. Thirteen original essays shed light on key moments and aspects of narrative and French painting through the study of artists such as Nicolas Poussin, Charles Le Brun, Jacques-Louis David, Paul Delaroche, Gustave Moreau, and Paul Gauguin. Using a range of theoretical perspectives, the authors study key issues such as temporality, theatricality, word-and-image relations, the narrative function of inanimate objects, the role played by viewers, and the ways in which visual narrative has been bound up with history painting. The book offers a fresh look at familiar material, as well as studying some little-kwn works of art, and reveals the centrality and complexity of narrative in French painting over the course of three centuries.
- Author BiographyPeter Cooke is Senior Lecturer in French Studies at the University of Manchester, UK. His most recent book is Gustave Moreau: History Painting, Spirituality and Symbolism. Nina Lubbren is Art Historian and Principal Lecturer in Film Studies, and Deputy Head of Department of English, Communication, Film and Media, Anglia Ruskin University, UK.
- PublisherTaylor & Francis Ltd
- Date of Publication21/06/2016
- SubjectFine Arts / Art History
- Series TitleStudies in Art Historiography
- Country of PublicationUnited Kingdom
- ImprintAshgate Publishing Limited
- Content NoteIncludes 44 b&w illustrations
- Weight558 g
- Width156 mm
- Height234 mm
- Spine20 mm
- Edited byDr. Peter D. Cooke,Nina Lubbren
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