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About this product
- DescriptionThis provocative and unique anthology analyzes Quentin Taranti's controversial Inglourious Basterds in the contexts of cinema, cultural, gender, and historical studies. The film and its ideology is dissected by a range of scholars and writers who take on the director's manipulation of metacinema, Nazisploitation, ethnic stereotyping, gender roles, allohistoricism, geopolitics, philosophy, language, and memory. In this collection, the eroticism of the club-swinging and avenging Bear Jew, the dashed heroism of the role-playing French and German females, the patriotic fools and pawns, the amoral yokel, Lieutenant Aldo Raine, and the cosmopolitan, but psychopathic Colonel Landa, are understood for their true functions in what has become an icoclastic pop-culture phemen and one of the classics of early twenty-first century American cinema. Additionally, the book examines the use of foreign languages (subverting English and image), the allegory of Austria's identity in the war, and the particularly French and German cinematic influences, such as R. W. Fassbinder's realignment of the German woman's film and the iconic image of the German film star in Inglourious Basterds.
- Author BiographyRobert von Dassanowsky is Professor of German and Film, and Carnegie/CASE Professor of the Year (Colorado) at U Colorado, Colorado Springs. Publications include Austrian Cinema: A History; Gale Encyclopedia of Multicultural America (ed); New Austrian Film (ed. w/ Oliver Speck) and Hofmannsthal's Der Schwierige (ed. w/Martin Liebscher). He is also an independent film producer.
- PublisherContinuum Publishing Corporation
- Date of Publication28/08/2012
- SubjectThe Arts: Textbooks & Study Guides
- Place of PublicationNew York
- Country of PublicationUnited States
- ImprintContinuum Publishing Corporation
- Content Note12 b/w illustrations
- Weight454 g
- Width138 mm
- Height216 mm
- Spine23 mm
- Edited byRobert Von Dassanowsky
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