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- DescriptionThe films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely ackwledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work t only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was thing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the velists Georges Bernas and Fyodor Dostoevsky. With both, he also shares convictions about the fallennature of humanity, an attitude of mourning for the loss of childhood incence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chrological investigation of his films, yielding a dense analysis worthy of this master filmmaker.
- Author BiographyTony Pipolo is Professor Emeritus of Film and Literature at Queens College of the City University of New York. He writes regularly for Cineaste and Film Comment.
- Author(s)Tony Pipolo
- PublisherOxford University Press Inc
- Date of Publication04/02/2010
- SubjectFilm, TV & Radio
- Place of PublicationNew York
- Country of PublicationUnited States
- ImprintOxford University Press Inc
- Content Note96 black and white halftone illustrations
- Weight661 g
- Width155 mm
- Height233 mm
- Spine24 mm
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