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About this product
- DescriptionSentimentalism emerged in eighteenth-century Europe as a moral philosophy founded on the belief that individuals are able to form relationships and communities because they can, by an effort of the imagination, understand one ather's feelings. American authors of both sexes who accepted these views cultivated readers' sympathy with others in order to promote self-improvement, motivate action to relieve suffering, reinforce social unity, and build national identity. Entwined with domesticity and imperialism and finding expression in literature and in public and private rituals, sentimentalism became America's dominant ideology by the early nineteenth century. Sentimental writings and practices had political uses, some reformist and some repressive. They played major roles in the formation of bourgeois consciousness. The first new collection of scholarly essays on American sentimentalism since 1999, this volume brings together ten recent studies, eight published here for the first time. The Introduction assesses the current state of sentimentalism studies; the Afterword reflects on sentimentalism as a liberal discourse central to contemporary political thought as well as literary studies. Other contributors, exploring topics characteristic of the field today, examine nineteenth-century authors' treatments of education, grief, social inequalities, intimate relationships, and community. This volume has several distinctive features. It illustrates sentimentalism's appropriation of an array of literary forms (advice literature, personal narrative, and essays on education and urban poverty as well as poetry and the vel) objects (memorial volumes), and cultural practices (communal singing, benevolence). It includes four essays on poetry, less frequently studied than fiction. It identifies internal contradictions that eventually fractured sentimentalism's viability as a belief system-yet suggests that the protean sentimental mode accommodated itself to revisionary and ironized literary uses, thus persisting long after twentieth-century critics prounced it a casualty of the Civil War. This collection also offers fresh perspectives on three esteemed authors t usually classified as sentimentalists-Sarah Piatt, Walt Whitman, and Henry James-thus demonstrating that sentimental topics and techniques informed realism and modernism as they emerged Offering close readings of nineteenth-century American texts and practices, this book demonstrates both the limits of sentimentalism and its wide and lasting influence.
- Author BiographyMary G. De Jong is associate professor of English and Women's Studies at Penn State Altoona.
- PublisherFairleigh Dickinson University Press
- Date of Publication07/06/2013
- SubjectLiterary Criticism
- Place of PublicationCranbury
- Country of PublicationUnited States
- ImprintFairleigh Dickinson University Press
- Content Note5 black & white illustrations
- Weight503 g
- Width159 mm
- Height235 mm
- Spine23 mm
- Edited byMary G. De Jong
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