All listings for this product
About this product
- DescriptionA thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been systematic English-language study of the entire cycle. Judith Kuhn's book begins such a study, undertaken with the belief that, despite a growing awareness of the universality of Shostakovich's music, much remains to be learned from the historical context and an examination of the music's language. Much of the controversy about Shostakovich's music has been related to questions of meaning. The conflicting interpretations put forth by scholars during the musicological 'Shostakovich wars' have shown the impossibility of fixing a single meaning in the composer's music. Commentators have often heard the quartets as political in nature, although there have been contradictory views as to whether Shostakovich was a loyal communist or a dissident. The works are also often described as vivid narratives, perhaps a confessional autobiography or a chronicle of the composer's times. The cycle has also been heard to examine major philosophical issues posed by the composer's life and times, including war, death, love, the conflict of good and evil, the nature of subjectivity, the power of creativity and the place of the individual - and particularly the artist - in society. Soviet commentaries on the quartets typically describe the works through the lens of Socialist-Realist mythological master narratives. Recent Western commentaries see Shostakovich's quartets as expressions of broader twentieth-century subjectivity, filled with ruptures and uncertainty. What musical features enable these diverse interpretations? Kuhn examines each quartet in turn, looking first at its historical and biographical context, with special attention to the cultural questions being discussed at the time of its writing. She then surveys the work's reception history, and follows with a critical discussion of the quartet's architectural and harmonic features. Using the new tools of Sonata Theory, Kuhn provides a fresh analytical approach to Shostakovich's music, giving valuable and detailed insights into the quartets, showing how the composer's mastery of form has enabled these works to be heard as active participants in the Soviet and Western cultural discourses of their time, while remaining compelling and relevant to twenty-first-century listeners.
- Author BiographyDr Judith Kuhn is a recovering lawyer who received her PhD in musicology from the University of Manchester, UK, in 2005. She currently teaches musicology at the University of Wisconsin-Milwaukee in the USA.
- Author(s)Judith Kuhn
- PublisherTaylor & Francis Ltd
- Date of Publication28/02/2010
- SubjectMusic & Dance
- Country of PublicationUnited Kingdom
- ImprintAshgate Publishing Limited
- Content NoteIncludes 32 b&w illustrations and 99 musical examples
- Weight730 g
- Width156 mm
- Height234 mm
- Spine19 mm
Best-selling in Textbooks
- AU $203.69New
Marketing Management: an Asian Perspective by Swee Hoon Ang, Kevin Lane Keller, Siew-Meng Leong, Chin Tiong Tan, Philip Kotler (Paperback, 2013)
- AU $75.71New
- AU $61.33Used
- AU $93.50New
- AU $101.60New
- AU $70.98New
Save on Textbooks
- AU $69.90Trending at AU $82.10
- AU $22.41Trending at AU $23.51
- AU $114.99Trending at AU $120.22
- AU $88.13Trending at AU $90.65
- AU $73.99Trending at AU $78.54
- AU $39.20Trending at AU $50.30
- AU $69.90Trending at AU $75.71
This item doesn't belong on this page.
Thanks, we'll look into this.