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Collected and highly valued all over the world, Navajo weaving has been the subject of many aesthetic and historic studies. Grounded in archival research and cultural and ecomic approaches, this new book situates Navajo weavers within the ecomic history of the Southwest and debunks the romantic stereotypes of weavers and traders that have dominated the literature.
Beginning with an analysis of trader archives revealing that nearly all Navajo textiles were wholesaled by weight until the 1960s, M'Closkey scrutinizes the complex interactions among artists, dealers, collectors, and museum curators that have facilitated the explosion in value of those old weavings. She also examines the production of Mexican copies of Navajo-style rugs, which in recent years has combined with the market for pre-1950 textiles to diminish the demand for contemporary Navajo weavings. Navajo patterns, she points out, remain unprotected by copyright because traditional designs have been in the public domain for decades.
Much of the exploitation M'Closkey delineates has been justified by the ethgraphic classification of functional textiles as nsacred crafts. But the author's conversations with Navajo weavers suggest that their motivations for weaving go far beyond ecomics. Weavers' feelings for hozho, the Navajo concept of harmonious beauty, encompass far more than any western concept of aesthetics. M'Closkey shows that the weavers' views of their work are marginalized when the work is treated as a collectible craft and culture is split from commodity.
No one who studies, collects, sells, or enjoys Navajo textiles (either genuine or kck-offs) can igre this book. Sure to be controversial, it will be important reading for anyone concerned with the merchandising of Indian art.
- Author BiographyA weaver for twenty years and a curator for more than a decade, Kathy M'Closkey is adjunct assistant professor in the department of sociology and anthropology at the University of Windsor, Ontario, Canada.
- PublisherUniversity of New Mexico Press
- Date of Publication15/05/2008
- SubjectFine Arts / Art History
- Place of PublicationAlbuquerque, NM
- Country of PublicationUnited States
- ImprintUniversity of New Mexico Press
- Content Note12 halftones, 3 line drawings, 2 maps
- Weight544 g
- Width152 mm
- Height229 mm
- Spine22 mm
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