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- DescriptionCalled the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, personal works exploring his fractured childhood in Liverpool. His idiosyncratic and urthodox narrative films defy easy categorization; though they would seem to exist within the realms of realism and personal memory cinema, the films lay bare the director's personal pain in a daringly abstract way. Film critic Michael Koresky explores the unique emotional ter of Davies' work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space. Through these contradictions, the films' intricate designs reveal a cumulative, deeply personal meditation on the self. Koresky also analyzes how Davies' ongoing negotiation of--and struggle with--questions of identity related to his past and his homosexuality imbue the details and jarring juxtapositions in his films with a queer sensibility, which is too often overlooked due to the complexity of Davies' work and his unfashionable ambivalence toward his own sexual orientation.
- Author BiographyMichael Koresky is staff writer and associate editor at The Criterion Collection and cofounder of the online film magazine Reverse Shot.
- Author(s)Michael Koresky
- PublisherUniversity of Illinois Press
- Date of Publication08/09/2014
- SubjectBiography: The Arts
- Series TitleContemporary Film Directors
- Place of PublicationBaltimore
- Country of PublicationUnited States
- ImprintUniversity of Illinois Press
- Content Note21 black and white photographs, filmography
- Weight363 g
- Width3564 mm
- Height5346 mm
- Spine20 mm
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