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About this product
- DescriptionThis interdisciplinary study explores images of Jews and Judaism in late medieval English literature and culture. Using four main categories - history, miracle, cult and Passion - Anthony Bale demonstrates how varied and changing ideas of Judaism coexisted within well-kwn anti-semitic literary and visual models, depending on context, authorship and audience. He examines the ways in which English writers, artists and readers used and abused the Jewish image in the period following the Jews' expulsion from England in 1290. The texts are analysed in their manuscript and print contexts in order to show local responses and changing meanings. This important work opens up fresh texts, sources and approaches for understanding medieval anti-semitism and shows how anti-semitic stereotypes came to be such potent images which would endure far beyond the Middle Ages.
- Author BiographyAnthony Bale's research interests are in histories and theories of 'antisemitism', late medieval English literature, culture and popular religion, the poetry of John Lydgate, visual and intermedial artefacts, the history of the pre-expulsion medieval English Jewish community, late medieval travel literature, and the histories of blood libel and ritual murder.
- Author(s)Anthony Bale
- PublisherCambridge University Press
- Date of Publication18/01/2007
- SubjectLiterary Criticism
- Series TitleCambridge Studies in Medieval Literature
- Series Part/Volume NumberNo. 60
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note7 b/w illus.
- Weight590 g
- Width152 mm
- Height228 mm
- Spine19 mm
- Series Edited byAlastair Minnis,Patrick Boyde,Professor John Burrow,Rita Copeland,Alan Deyermond,Peter Dronke,Nigel Palmer,Winthrop Wetherbee
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