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- DescriptionShortlisted for the 2015 Modernist Studies Association Book Prize This book shows how American literary culture in the first half of the twentieth century saw irony' emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to ackwledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of irony inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who t only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others.
- Author BiographyMatthew Stratton is Assistant Professor of English at the University of California, Davis.
- Author(s)Matthew Stratton
- PublisherFordham University Press
- Date of Publication30/10/2013
- SubjectLiterary Criticism
- Place of PublicationNew York
- Country of PublicationUnited States
- ImprintFordham University Press
- Content Note2 b/w illustrations
- Weight511 g
- Width160 mm
- Height226 mm
- Spine28 mm
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