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- DescriptionThis book is concerned t so much with the 'prima donna' as with prime donne: a group of working artists (sometimes famous but more often relatively unkwn and w long forgotten) and the circumstances of their professional lives. It attempts to locate these singers within a broader history, including t only the specificities of operatic stage practice but the life beyond the opera house - the social, cultural and political framing that shaped individual experience, artistic endeavour and audience reception. Rutherford addresses questions such as the multiple discourses on the image of the singer and their impact on the changing profile of the professional artist from figlia dell'arte at the beginning of the era to middle-class woman at the end; the aspect of the 'stage mother' and patronage; issues of vocal training and tuition; professional life in the operatic market-place; and performance (both vocal and dramatic) conventions and practices.
- Author BiographySusan Rutherford is Lecturer in Performance Studies in Drama, School of Arts, Histories and Cultures at the University of Manchester.
- PrizesWinner of International Alliance for Women in Music Pauline Alderman Award 2007.
- Author(s)Susan Rutherford
- PublisherCambridge University Press
- Date of Publication10/08/2006
- SubjectOther Performing Arts
- Series TitleCambridge Studies in Opera
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Note9 tones
- Weight750 g
- Width152 mm
- Height228 mm
- Spine25 mm
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