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About this product
- DescriptionToday we take the word icon to mean a sign, or we equate it with portraits of Christ and the saints. In The Sensual Icon, Bissera Pentcheva demonstrates how icons originally manifested the presence of the Holy Spirit in matter. Christ was the ideal icon, emerging through the Incarnation; so, too, were the bodies of the stylites (column-saints) penetrated by the divine pneuma (breath or spirit), or the Eucharist, or the Justinianic space of Hagia Sophia filled with the reverberations of chants and the smoke of incense. Icoclasm (726 843) challenged these Spirit-centered definitions of the icon, eventually restricting the word to mean only the lifeless imprint (typos) of Christ s visual characteristics on matter. By the tenth century, mixed-media relief icons in gold, repousse, enamel, and filigree offered a new paradigm. The sun s rays or flickering candlelight, stirred by drafts of air and human breath, animated the rich surfaces of these objects; changing shadows endowed their eyes with life. The Byzantines called this spectacle of polymorphous appearance poikilia, that is, presence effects sensually experienced. These icons enabled viewers in Constantiple to detect animation in phemenal changes rather than in pictorial or sculptural naturalism. Liveliness, as the goal of the Byzantine mixed-media relief icon, thus challenges the Renaissance ideal of lifelikeness, which dominated the Western artistic tradition before the arrival of the modern. Through a close examination of works of art and primary texts and language associated with these objects, and through her new photographs and film capturing their changing appearances, Pentcheva uncovers the icons power to transform the viewer from observer to participant, communing with the divine.
- Author BiographyBissera V. Pentcheva is Associate Professor of Art History at Stanford University. She is the author of Icons and Power: The Mother of God in Byzantium (Penn State, 2006).
- Author(s)Associate Professor Bissera V Pentcheva
- PublisherPenn State University Press
- Date of Publication11/10/2010
- FormatPaperback / softback
- SubjectFine Arts / Art History
- Country of PublicationUnited States
- ImprintPenn State University Press
- Content Noteblack & white illustrations, colour illustrations, black & white halftones, colour illustrations, black & white line drawings, frontispiece, figures
- Weight1098 g
- Width194 mm
- Height253 mm
- Spine21 mm
- Format DetailsTrade paperback (US),Sewn
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