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About this product
- DescriptionIn the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The 'break with tonality', Neo-Classicism, serialism, chance, minimalism and the return of the 'sacred' in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for 're-enchantment' have t completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber's religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of 'apocalyptic' temporal narratives, a commitment to 'musical revolution', a desire to explore the limits of ise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.
- Author BiographyEduardo De La Fuente is a Lecturer in Sociology in the School of Social and Policy Studies at Flinders University in Australia.
- Author(s)Eduardo de la Fuente
- PublisherTaylor & Francis Ltd
- Date of Publication15/08/2009
- SubjectSociology & Anthropology: Professional
- Series TitleRoutledge Advances in Sociology
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- Content Note2 black & white tables
- Weight408 g
- Width152 mm
- Height229 mm
- Spine18 mm
- Format DetailsUnsewn / adhesive bound
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