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- DescriptionIn this original and lucid account of how Spanish painters of the sixteenth and seventeenth centuries dealt with mystic visions in their art, and of how they attempted to 'represent the unrepresentable', Victor Stoichita aims to establish a theory of visionary imagery in Western art in general, and one for the Spanish Counter-Reformation in particular. He reveals how the spirituality of the Counter-Reformation was characterised by a rediscovery of the role of the imagination in the exercise of faith. This had important consequences for painters such as Velazquez, Zurbaran and El Greco, leading to the development of ingenious solutions for visual depictions of mystical experience. This was to crystallize into an overtly meditative and didactic pictorial language. That Spanish painting is both cerebral and passionate is due to the particular historical forces which shaped it. Stoichita's account will be of crucial interest t just to scholars of Spanish art but to anyone interested in how art responds to ideological pressures.
- Author BiographyVictor I. Stoichita is Professor of the History of Art at the University of Fribourg, Switzerland. He is author of A Short History of the Shadow (Reaktion, 1997) and co-author with Anna-Maria Coderch of Goya: The Last Carnival (Reaktion, 1999).
- Author(s)Victor Stoichita
- PublisherReaktion Books
- Date of Publication30/10/1995
- SubjectFine Arts / Art History
- Series TitleEssays in Art & Culture
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- ImprintReaktion Books
- Content Note102 black & white illustrations
- Weight563 g
- Width156 mm
- Height234 mm
- Spine17 mm
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