All listings for this product
About this product
- DescriptionThe friendship between William Morris and Edward Burne-Jones began when they met as undergraduates in 1853 and--despite their differences in temperament and in attitudes to political engagement--lasted until Morris's death in 1896. This friendship was one of the defining features of both their lives, and yet the overlap in their artistic projects has t previously been considered in detail. In this deeply thoughtful book, Caroline Arscott explores particular aspects of the paintings of Burne-Jones and the designs of Morris and concludes that there are close interconnections in theme, allusion, and formal strategy between the works of the two men. She suggests that themes of bodily pain, desire and appetite are central to their vision. Through careful readings of Burne-Jones's painting and Morris's designs for printed wallpapers and textiles, she shows that it is possible to bring together fine art and design in a linked discussion that illuminates the projects of both artists.
- Author BiographyCaroline Arscott is senior lecturer, Courtauld Institute of Art, University of London.
- Author(s)Caroline Arscott
- PublisherYale University Press
- Date of Publication03/10/2008
- SubjectFine Arts / Art History
- Series TitleThe Paul Mellon Centre for Studies in British Art
- Place of PublicationNew Haven
- Country of PublicationUnited States
- ImprintYale University Press
- Content Note40 black & white illustrations + 60 colour images
- Weight1429 g
- Width241 mm
- Height279 mm
- Spine23 mm
Best-selling in Non-Fiction Books
Save on Non-Fiction Books
- AU $17.73Trending at AU $22.02
- AU $79.89Trending at AU $90.23
- AU $17.51Trending at AU $30.26
- AU $31.46Trending at AU $40.55
- AU $27.50Trending at AU $30.42
- AU $35.26Trending at AU $35.79
- AU $11.63Trending at AU $21.86
This item doesn't belong on this page.
Thanks, we'll look into this.