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About this product
- DescriptionWordsworth wrote that he longed to compose 'some philosophic Song/Of Truth that cherishes our daily life'. Yet he never finished The Recluse, his long philosophical poem. Simon Jarvis argues that Wordsworth's aspiration to 'philosophic song' is central to his greatness, and changed the way English poetry was written. Some critics see Wordworth as a systematic thinker, while for others he is a poet first, and a thinker only (if at all) second. Jarvis shows instead how essential both philosophy and the 'song' of poetry were to Wordsworth's achievement. Drawing on advanced work in continental philosophy and social theory to address the ideological attacks which have dominated much recent commentary, Jarvis reads Wordsworth's writing both critically and philosophically, to show how Wordsworth thinks through and in verse. This study rethinks the relation between poetry and society itself by analysing the tensions between thinking philosophically and writing poetry.
- Author BiographySimon Jarvis is Gorley Putt Senior Lecturer in English Literary History at the University of Cambridge.
- Author(s)Simon Jarvis
- PublisherCambridge University Press
- Date of Publication19/11/2009
- Series TitleCambridge Studies in Romanticism
- Series Part/Volume NumberNo. 67
- Place of PublicationCambridge
- Country of PublicationUnited Kingdom
- ImprintCambridge University Press
- Content Noteblack & white illustrations
- Weight420 g
- Width152 mm
- Height229 mm
- Spine16 mm
- Format DetailsTrade paperback (US)
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