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- DescriptionIn 1978, Patrick McNaughton witnessed a bird dance masquerade in the small town of Dogoduman. He was so affected by this performance that its dazzling artistic power has never left him. As he revisits that very special evening in A Bird Dance near Saturday City, McNaughton carefully considers the components of the performance, its pace, the performers, and what the entire experience means for understandings of Bamana and West African aesthetics and culture. The performance of virtuoso dancer Sidi Ballo becomes McNaughton's vehicle for understanding the power of individuals in African art and the power of aesthetics as a cultural phemen. Topics such as what makes art effective, what makes it good, how production is wrapped in individual virtuosity, and what individual artistry suggests about society reveal how individuals work together to create the indelible experience of outstanding performance. This exuberant and captivating book will influence views of society, culture, art, history, and their makers in West Africa for years to come.
- Author BiographyPatrick McNaughton is Chancellor's Professor of African Art at Indiana University, Bloomington. He is author of Mande Blacksmiths (IUP, 1988).
- Author(s)Patrick R. McNaughton
- PublisherIndiana University Press
- Date of Publication15/08/2008
- SubjectMusic & Dance
- Series TitleAfrican Expressive Cultures
- Place of PublicationBloomington, IN
- Country of PublicationUnited States
- ImprintIndiana University Press
- Content Note1 b&w photos, 24 color photos, 1 maps
- Weight499 g
- Width3963 mm
- Height5969 mm
- Spine23 mm
- Format DetailsTrade paperback (US)
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