The language we use when we are in love is t a language we speak, for it is addressed to ourselves and to our imaginary beloved. It is a language of solitude, of mythology, of what Barthes calls an image repertoire . This work revives - beyond the psychological or clinical enterprises which have characterized such researches in our culture - the tion of the amorous subject. It should be enjoyed and understood by two groups of readers: those who have been in love (or think they have, which is the same thing), and those who have never been in love (or think they have t, which is the same thing). In its search for authorities and examples, which range from Nietzsche to Zen, from Ruysbroek to Debussy, the book might be considered an encyclopaedia of that affirmative discourse which is the lover's.
Roland Barthes was born in 1915 and studied French literature and classics at the University of Paris. After teaching French at universities in Rumania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980.