In A Small Boy and Others, Michael Moon makes a vital contributon to our understanding of the dynamics of sexuality and identity in modern American culture. He explores a wide array of literary, artistic, and theatrical performances ranging from the memoirs of Henry James and the dances of Vaslav Nijinsky to the Pop paintings of Andy Warhol and such films as Midnight Cowboy, Blue Velvet, and Jack Smith's Flaming Creatures. Moon illuminates the careers of James, Warhol, and others by examining the imaginative investments of their protogay childhoods in their work in ways that enable new, more complex cultural readings. He deftly engages tions of initiation and desire t within the traditional framework of sexual orientation but through the disorienting effects of imitation. Whether invoking the artist Joseph Cornell's early fascination with the Great Houdini or turning his attention to James's self-described initiation into style at the age of twelve-when he first encountered the homoerotic imagery in paintings by David, Gericault, and Girodet-Moon reveals how the works of these artists emerge from an engagement that is obsessive to the point of queerness. Rich in historical detail and insistent in its melding of the recent with the remote, the literary with the visual, the popular with the elite, A Small Boy and Others presents a hitherto unimagined tradition of brave and outrageous queer invention. This long-awaited contribution from Moon will be welcomed by all those engaged in literary, cultural, and queer studies.
Michael Moon is Professor of English at the Johns Hopkins University. He is the author of Disseminating Whitman: Revision and Coroporeality in Leaves of Grass, and coeditor of Subjects and Citizens: Nation, Race, and Gender from Oroonoko to Anita Hill (Duke University Press).