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About this product
- Description<i>After Romanticism</i> explores the ground common to European romanticism and American modernism, a space of translation and echoing where gulfs of ironic difference open between islands of topographic similarity, where literary history is subject to fictive renegotiation. Robert Eisenhauer situates Truman Capote's texts within the artistic/philosophical orbit of Novalis and Friedrich Schlegel, at the same time reading <i>Answered Prayers</i> as a validation of Baroque mysticism, a revisiting of controversies surrounding <i>Lucinde</i>, and a modernist take on Shelley's <i>Triumph of Life</i>. In the second essay, the author unpacks the signifiers Cristal and crystal, assessing their role in the rhetoric of metahistory. <i>Breakfast at Tiffany's</i> is seen embodying the exotic trans underlying representation itself, the disappointed searching of Schiller's sentimental consciousness. Discussing two cinematic interpretations of Terence Rattigan's play <i>The Browning Version</i>, Eisenhauer traces the use/abuse of names in the rhetoric of academic and political vilification. Drawing on such diverse sources as Aeschylus, Browning, Golding, and Ador, he finds the current state of discourse in need of heavy teaching, so that the repressed subject of democracy/tyranny can surpass the psychopathology of the Same. Analyzing Fellini's radical revision of an Edgar Allan Poe short story, the author suggests how inscrutability saves the audience from guilt because the viewer cant arrive at apodictic certainty concerning the subject screened. While Poe lampoons the transcendentals as a kind of disease, implying readerly guilt by association, and solidifying the letter, Fellini, by valorizing theatrical illusion, fails to translate a text that teaches the reader more than he or she is prepared to kw. <i>After Romanticism</i> concludes with an imaginary conversation (echoing the pedagogical dynamic of Henry James's The Pupil) in which a still problematic translation of a poetic text by the arch-modernist Gertrude Stein is discussed.
- Author BiographyThe Author: Robert Eisenhauer received a Ph.D. in comparative literature and German from The Johns Hopkins University. After Romanticism is the seventh book Eisenhauer has published in the Studies on Themes and Motifs in Literature Series; previous critical texts include essays on Ezra Pound, Henry James, Goethe, Shelley, and Jean Paul. He is the author of three published collections of poetry: The Maya Railroad (1995), Winterrules (2005), and Fugues/Cartouches (2006). Eisenhauer has also published Sequences of Light (2008), a collection of his photographs from his travels in the United States and abroad.
- Author(s)Robert Eisenhauer
- PublisherPeter Lang Publishing Inc
- Date of Publication01/04/2008
- SubjectFilm, TV & Radio
- Series TitleStudies on Themes and Motifs in Literature
- Series Part/Volume Number98
- Country of PublicationUnited States
- ImprintPeter Lang Publishing Inc
- Content Noteillustrations
- Weight540 g
- Width160 mm
- Height230 mm
- Edition Statement1st New edition
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