The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. No matter how confidently the sequence of apocalypse and millennium seems to be affirmed in some of the major works of the period, the issue is always in doubt: the fear that millennium may t ensue emerges as a significant, if often repressed, theme in the great works of the period. Related to it is the tension in Romantic poetry between conflicting models of history itself: history as teleology, developing towards end time and millennium, and history as purposeless cycle. This subject-matter is traced through a selection of works by the major poets, partly through an exposition of their underlying intellectual traditions, and partly through a close examination of the poems themselves.
Morton D. Paley is a Professor in the Graduate School at the University of California at Berkely. A leading figure in the Romantics field, his publications include Energy and Imagination (OUP 1970), William Blake (Phaidon 1978), The Continuing City (OUP 1983), The Apocalyptic Sublime (Yale UP 1986), Coleridge's Later Poetry (OUP 1996), and Portraits of Coleridge (OUP 1999).