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About this product
- DescriptionNobody's skin is really black or white. Yet both terms are constantly used to classify people. Whiteness studies have revealed that 'white' must be considered as an ideological label that defines superiority and privilege. Conversely, 'black' came to mark inferiority and discrimination. This study explores how African-Americans responded to Anglo-Saxon race theory by adopting the originally demeaning assignation 'black' and turning it into the ideology of 'black' self-empowerment and racial pride. The analyses of eighteen vels from the African-American literary can which focus on the significance of the color 'black' and the concept of blackness strongly suggest the importance of blackness studies while providing a close (re)reading of major works of 20th-century 'black' fiction.
- Author BiographyBarbara Haider studied American Studies, Cultural Anthropology and African Philology at the University in Mainz and received her MA in 2004. Between 2005 and 2011 she completed her PhD while working full time for the distribution department of a subscription agency.
- Author(s)Barbara Haider
- PublisherPeter Lang GmbH
- Date of Publication25/11/2011
- SubjectLiterary Criticism
- Series TitleMainzer Studien zur Amerikanistik
- Series Part/Volume Number57
- Place of PublicationFrankfurt am Main
- Country of PublicationGermany
- First Published2011
- ImprintPeter Lang GmbH
- Weight410 g
- Width148 mm
- Height210 mm
- Edition Statement1st New edition
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