All listings for this product
Best-selling in Non-Fiction Books
Save on Non-Fiction Books
- AU $47.34Trending at AU $49.62
- AU $74.01Trending at AU $76.83
- AU $22.11Trending at AU $23.10
- AU $35.46Trending at AU $39.18
- AU $26.74Trending at AU $37.70
- AU $17.68Trending at AU $21.74
- AU $37.60Trending at AU $38.98
About this product
- DescriptionWith films as diverse as Bhaji on the Beach, The Dam Busters, Trainspotting, The Draughtsman's Contract, Prick Up Your Ears, Ratcatcher, This Is England and Atonement, British cinema has produced wide-ranging tions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an ecomic, political and social context. British National Cinema analyzes the politics of film and establishes the difficult context within which British producers and directors have worked. Sarah Street questions why British film-making, production and distribution have always been subject to government apathy and financial stringency. In a comparison of Britain and Hollywood, the author asks to what extent was there a 'star system' in Britain and what was its real historical and social function. An examination of genres associated with British film, such as Ealing comedies, Hammer horror, 'heritage' films and hybrid forms, confirms the eclectic nature of British cinema. In a final evaluation of British film, she examines the existence of 'other cinemas': film-making which challenges the traditional concept of cinema and operates outside mainstream structures in order to deconstruct and replace classical styles and conventions. Illustrated with over thirty stills from classic British films, British National Cinema provides an accessible and comprehensive exploration of the fascinating development of British cinema.
- Author BiographySarah Street is Professor of Film at the University of Bristol. She is the joint author of Cinema and State (with Margaret Dickinson, 1985) and Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (with Tim Bergfelder and Sue Harris, 2007), author of British Cinema in Documents (2000), Costume and Cinema (2001), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcissus (2005). She is co-editor of Moving Performance: British Stage and Screen (with Linda Fitzsimmons, 2001), European Cinema (with Jill Forbes, 2001), The Titanic in Myth and Memory (with Tim Bergfelder, 2004) and The Queer Screen Reader (with Jackie Stacey, 2007).
- Author(s)Sarah Street
- PublisherTaylor & Francis Ltd
- Date of Publication13/08/2008
- SubjectFilm, TV & Radio
- Series TitleNational Cinemas
- Series Part/Volume Numberv. 2
- Place of PublicationLondon
- Country of PublicationUnited Kingdom
- Content Note40 black & white halftones
- Weight453 g
- Width156 mm
- Height234 mm
- Spine18 mm
- Format DetailsB-format paperback
- Edition Statement2nd Revised edition
This item doesn't belong on this page.
Thanks, we'll look into this.