Constable by Jonathan Clarkson (Hardback, 2010)

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In this new monograph Clarkson looks at these grand paintings with a fresh view, investigating what we can actually see in them. Set against the rapidly changing way of life in nineteenth-century Britain, Constable's paintings are both portraits of a disappearing world and reflections of his belief that 'painting is a science, and should be pursued as an inquiry into the laws of nature.'.
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