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- DescriptionThis new edition of <em>Contemporaries and Sbs</em>, a landmark collection of essays by Laura Riding, offers a counter-history of high modernist poetics. <br><br>Laura Riding's <em>Contemporaries and Sbs</em> (1928) was the first volume of essays to engage critically with high modernist poetics from the position of the outsider. For readers today, it offers a compelling account--by turns personal, by turns historical--of how the institutionalization of modernism denuded experimental poetry. Most importantly, <em>Contemporaries and Sbs</em> offers a counter-history of the idiosyncratic, of what the institution of modernism left (and leaves) behind. With Gertrude Stein as its figurehead, the book champions the ncanical, the barbaric, and the undertheorized.<br><br>Riding's nuanced defense of a poetics of the person in <em>Contemporaries and Sbs</em> represents a forgotten but essential first attempt to identify and foster what is w a well-defined poetic lineage that leads from Stein to the contemporary experimental avant-garde. In these essays, Riding takes her readers on a remarkably thorough tour through the critical scene of the 1920s. Among other influential treatises, she considers T. S. Eliot's <em>The Sacred Wood</em> and his editorial essays in <em>The Criterion</em>, Allen Tate's Poetry and the Absolute, John Crowe Ransom's essays on the modernist poet, Edgell Rickword's essays in <em>The Calendar of Modern Letters</em>, and Herbert Read's posthumous publication of T. E. Hulme's essays. All of this criticism, Riding tes, gave modern poets a sheen of seriousness and professionalism, but was it good for poetry? Her decisive answer is . This new edition includes an introduction by Laura Heffernan and Jane Malcolm that makes legible the many connections between <em>Contemporaries and Sbs</em> and the critical debates and poetic experiments of the 1920s, as well as explanatory tes, a chrological bibliography of Riding's work, and an index of proper names.
- Author Biography<strong>Laura Riding</strong>, later Laura (Riding) Jackson, was a prolific and respected poet, and writer of both fiction and nonfiction, who published all her major poetry during the 1920s and 1930s. During those two decades Riding published thirteen collections of poetry along with six novels and story collections and eight works of nonfiction, including <em>Contemporaries and Snobs</em>. Riding later turned her attention solely to nonfiction, actively publishing until her death in 1991. She was honored with the Mark Rothko Appreciation Award in 1971, a Guggenheim fellowship in 1973, a National Endowment for the Arts fellowship in 1979, and Yale University's Bollingen Prize for her lifetime contribution to poetry in 1991.<br><br><strong>Jane Malcolm</strong> is an assistant professor of English at the Universite de Montreal, Canada. She has written previously about Laura Riding's gendered poetics and about the ambivalent feminisms of H.D., Mina Loy, and Gertrude Stein.<br><br><strong>Laura Heffernan</strong> is an assistant professor of English at the University of North Florida, USA. She has written previously about the modernist criticism of Rebecca West, John Rodker, T. E. Hulme, and Edmund Wilson.
- Author(s)Laura Riding
- PublisherThe University of Alabama Press
- Date of Publication30/03/2014
- SubjectLiterary Criticism
- Series TitleModern & Contemporary Poetics
- Place of PublicationAlabama
- Country of PublicationUnited States
- ImprintThe University of Alabama Press
- Weight249 g
- Width152 mm
- Height229 mm
- Spine15 mm
- Edited byJanet Malcolm,Laura Geffernan
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