In recent years, the study of creativity has shifted from analysis of culture as an end in itself to one of ecomic enhancement, and its capability to generate wealth and promote ecomic development. Increasingly, European cities and regions are using the arts to fuel wellbeing and reinvigorate ecomies after the comparative demise of more traditional industry and manufacturing. A growing literature is starting to highlight the invation capacity of cultural and creative industries (CCIs) as they intersect the invation processes of other manufacturing and services sectors with an invative and creative output. Culture and creativity may be a strategic weapon to exit the present crisis and redefine an ecomic model of sustainable development. This book brings together a set of multidisciplinary contributions to investigate the kaleidoscope of European creativity, focussing on CCIs and the invations connected with them. The two main questions that this volume aims to address are: How can we identify, map and define CCIs in Europe? And how do they contribute to invation and sustainable growth? The volume is split into two parts. The first part deals with the definition, measurement and mapping of the geography of European CCIs according to a local ecomic approach, focussing on Italy, Spain, the UK, Austria, Denmark and France. This section surveys the different industrial typologies and spatial patterns, which underline a significant dissimilarity between the North and the South of Europe, mainly due to the difference between heritage-driven and techlogy-driven countries. The section concludes with a case study on a Japanese creative city. The second part collects some interesting cases of invation generated in creative spaces such as cities of art or creative clusters and networks. This entails the study of invations among creative and n-creative sectors (e.g. laser techlogies in conservation of works of art and design networks in Italy) and across European and n-European countries (e.g. Spaghetti Western movies in the US or visual artists in New Zealand). Finally, an invation capacity of culture that can regenerate mature sectors (e.g. the French food supply chain and Swiss watch Valley) or combine the creative and green ecomics paradigms (e.g. the green creative cities in North Europe) is analyzed. This book will appeal to academics, scholars and practitioners of urban and regional studies, cultural and creative ecomics and managerial and organization studies.
Luciana Lazzeretti is Professor of Business Economics and Director of the Postgraduate Programme in Economics and Management of Cultural Goods and Museums at the Faculty of Economics, University of Florence, Italy.
Taylor & Francis Ltd
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Social Studies: General
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46 black & white illustrations, 34 black & white tables, 3 black & white halftones, 43 black & white line drawings